{"title":"Architecture","description":"","products":[{"product_id":"the-modern-architecture-of-cadaques-1955-71","title":"The Modern Architecture of Cadaqués: 1955–71","description":"\u003cp\u003eInspired by the early style of Corbusier and ideas on Mediterranean architecture espoused by the likes of Bernard Rudofsky and Josep Lluís Sert, a younger generation of architects found the perfect conditions to explore the future of the Mediterranean house in Cadaqués—a small fishing village on the Spanish Costa Brava that was also home, or the summer meeting ground, for some of the past century’s greatest artistic figures, including Dalí, Picasso, Miró, and Duchamp.\u003c\/p\u003e\n\u003cp\u003e\u003c!--more--\u003e\u003c\/p\u003e\n\u003cp\u003eIn this new book, photos from the period show the distinctive style and environment of Cadaqués and 22 homes designed by Federico Correa, Alfonso Milà, José Antonio Coderch, Francesc Joan Barba Corsini, Peter Harnden, Lanfranco Bombelli, Oscar Tusquets, and Lluís Clotet.\u003c\/p\u003e\n\u003cp\u003eWritten and edited by Nacho Alegre, it features an introduction by Oscar Tusquets and afterword by Marc Arnal also tells of the friendships and influences that existed between this group of architects, and how their architecture came to be.\u003c\/p\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55472002826582,"sku":null,"price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/THE-MODERN-ARCHITECTURE-OF-CADAQUES-1-2-scaled.jpg?v=1790171057"},{"product_id":"books-by-ettore-sottsass","title":"Books by Ettore Sottsass","description":"\u003cp\u003eThroughout his illustrious career in product design and architecture, Ettore Sottsass (1917-2007) maintained a close relationship with printed matter, designing, authoring, illustrating and editing a great many avant-garde literary and design\/architectural books and periodicals from 1947 right up until the year before his death.\u003c\/p\u003e\n\u003cp\u003e\u003c!--more--\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eBooks by Ettore Sottsass\u003c\/i\u003e organizes this vast body of work into eight phases: the 1962 Beat magazine \u003ci\u003eRoom East 128.Chronicle\u003c\/i\u003e; books by poets Gregory Corso, Michael McClure, Philip Whalen and Sottsass himself, published under the Editions East 128 imprint; the psychedelic magazine \u003ci\u003ePianeta Fresco\u003c\/i\u003e, which printed Beats alongside emerging comic artists; work for architecture and design magazines; Sottsass' own theoretical writings; catalogues produced for the Memphis Group; the magazine \u003ci\u003eTerrazzo\u003c\/i\u003e (1988-1995), which synthesized Sottsass' love of design, literature and architecture; and publications for his own Studio Sottsass Associati.\u003c\/p\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55472019603798,"sku":null,"price":40.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/BOOKS-BY-ETTORE-SOTTSAS-1-scaled.jpg?v=1790171231"},{"product_id":"the-house-of-xavier-corbero","title":"The House of Xavier Corberó","description":"\u003cp\u003eXavier Corberó (1935–2017) is among the foremost Spanish artists of the last century. His sculptures in rough-hewn stone, marble, and bronze gave form to ideas running through a circle of contemporary surrealist artists, including Salvador Dalí, Marcel Duchamp, Max Ernst, and Joan Miró, but with pieces distinctly his own.\u003c\/p\u003e\n\u003cp\u003e\u003c!--more--\u003e\u003c\/p\u003e\n\u003cp\u003eHis works are widely and internationally celebrated in institutions like London’s V\u0026amp;A and New York’s The Met, but maybe his greatest artwork is located on the outskirts of Barcelona in the form of the home he built for himself over a period of five decades, a series of labyrinthine rooms, levels, buildings, and arches that he continually added to whenever money came his way, conceiving new plans on morning strolls with the local builder.\u003c\/p\u003e\n\u003cp\u003eThe House of Xavier Corberó, edited by his daughter Ana Corberó, is the first publication to explore this home in Esplugues de Llobregat, which soon looks to be sold. With original photography by Daniel Riera, it also features a series of texts by long-time friends and colleagues of the artist: the architects Ricardo Bofill and Josep Acebillo, program director at World Architecture Festival Paul Finch, artist and journalist Celia Lyttelton, RBTA director Pablo Bofill, as well as an interview with Corberó himself by the filmmaker Albert Moya, originally published in issue #16 of Apartamento magazine.\u003c\/p\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55472029761878,"sku":null,"price":55.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/THE-HOUSE-OF-XAVIER-CORBERO-1-scaled.jpg?v=1790171389"},{"product_id":"atlas-of-forms","title":"Atlas of Forms","description":"\u003cp\u003e\u003cem\u003eAtlas of Forms\u003c\/em\u003e is a large book of images that documents every kind of shape found in architecture of all types. Within its 256 pages, are nearly 1500 photographs patiently collected from the Internet and classified according to the rudimentary criteria of geometry (circle, square, triangle, polygon) and their current state (construction site, completed, abandoned or in ruins). These categories mix and mingle without interruption.\u003c\/p\u003e\n\u003cp\u003e\u003c!--more--\u003e\u003c\/p\u003e\n\u003cp\u003eOpening with a series of spherical structures, like small worlds under construction, and concluding with an image of an overturned bunker, this book proposes a long meandering, a sort of hypnotic chant with its recurrences and variants, its repetitions and ruptures, its harmonies and dissonances. More than a volume on architecture or photography, Atlas of Forms is primarily an elegy to diversity, every forms of diversity.\u003c\/p\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55472393158998,"sku":null,"price":38.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/ATLAS-OF-FORMS-1-min-scaled.jpg?v=1790174359"},{"product_id":"panteon-3-scuola","title":"Panteon #3: Scuola","description":"\u003cp\u003e\u003cspan\u003ePanteon is a new Italian architecture magazine, published twice a year.\u003c\/span\u003e\u003cbr\u003e\n\u003cspan\u003eThe founders say it is an anachronistic enterprise: anachronistic is the content, anachronistic is the product, anachronistic is its use. And actually, looking at it carefully, it has something out of time, it will be for the type of paper chosen, it will be for the large format, it will be for the skilful use of black and white able to give even more charm to the photos that stand out in the large blank pages. Maybe just because of the color of the cover, but yes, Pantheon is the anachronistic editorial project we were missing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!--more--\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe protagonist is the architecture of the city of Rome, all built between 1911 and 1989 within the GRA, our contemporary city walls, whose analogies are arbitrary and questionable.\u003c\/span\u003e\u003cbr\u003e\n\u003cspan\u003ePantheon aims to be a platform for architectural debate using the city of Rome as a pretext, as an infinite warehouse from which to draw answers to a potentially infinite number of questions.\u003c\/span\u003e\u003cbr\u003e\n\u003cspan\u003eEach issue is made up of a set of texts, collected through an open Call for Papers.\u003c\/span\u003e\u003c\/p\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55472524362070,"sku":null,"price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/panteon-3-min-scaled.jpg?v=1790175210"},{"product_id":"panteon-4-5-knowledge","title":"Panteon #4-5: Knowledge","description":"\u003cp\u003ePanteon is a new Italian architecture magazine, published twice a year.\u003cbr\u003e\nThe founders say it is an anachronistic enterprise: anachronistic is the content, anachronistic is the product, anachronistic is its use. 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Maybe just because of the color of the cover, but yes, Pantheon is the anachronistic editorial project we were missing.\u003c\/p\u003e\n\u003cp\u003e\u003c!--more--\u003e\u003c\/p\u003e\n\u003cp\u003eThe protagonist is the architecture of the city of Rome, all built between 1911 and 1989 within the GRA, our contemporary city walls, whose analogies are arbitrary and questionable.\u003cbr\u003e\nPantheon aims to be a platform for architectural debate using the city of Rome as a pretext, as an infinite warehouse from which to draw answers to a potentially infinite number of questions.\u003cbr\u003e\nEach issue is made up of a set of texts, collected through an open Call for Papers.\u003c\/p\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55472527245654,"sku":null,"price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/panteon-4-5-min-scaled.jpg?v=1790175221"},{"product_id":"panteon-6-pasolini","title":"Panteon #6: Pasolini","description":"\u003cp\u003ePanteon is a new Italian architecture magazine, published twice a year.\u003cbr\u003e\nThe founders say it is an anachronistic enterprise: anachronistic is the content, anachronistic is the product, anachronistic is its use. And actually, looking at it carefully, it has something out of time, it will be for the type of paper chosen, it will be for the large format, it will be for the skilful use of black and white able to give even more charm to the photos that stand out in the large blank pages. Maybe just because of the color of the cover, but yes, Pantheon is the anachronistic editorial project we were missing.\u003c\/p\u003e\n\u003cp\u003e\u003c!--more--\u003e\u003c\/p\u003e\n\u003cp\u003eThe protagonist is the architecture of the city of Rome, all built between 1911 and 1989 within the GRA, our contemporary city walls, whose analogies are arbitrary and questionable.\u003cbr\u003e\nPantheon aims to be a platform for architectural debate using the city of Rome as a pretext, as an infinite warehouse from which to draw answers to a potentially infinite number of questions.\u003cbr\u003e\nEach issue is made up of a set of texts, collected through an open Call for Papers.\u003c\/p\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55472527769942,"sku":null,"price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/panteon-6-min-scaled.jpg?v=1790175232"},{"product_id":"mbm-2","title":"MBM- 2","description":"\u003cp\u003eThis is the first volume of a new collection published by Terranova and directed by specialist Guillem Celada, dedicated to iconic objects from Spanish industrial design History. It is dedicated to the MBM-2 wall lamp, created by the architecture studio headed by Martorell, Bohigas, and Mackay, and winner of a Delta award in 1966. The book consists of two academic texts that examine the appearance and implementation of the product in public spaces, as well as the immediate influence that led to a multitude of variations and copies, along with an extensive visual essay featuring photographs by Pol Masip that show the current presence of the lamp in the doorways of Barcelona and its surroundings. The book opens with a brief introduction by Èlia Bagó, a young designer who is a founding member of the Sociedad 0 collective. It also includes previously unpublished film negatives from the photo session that Leopoldo Pomés conducted for the official portrait of the three members of the MBM studio, supplied by the recently created Archivo Pomés.\u003c\/p\u003e\n\u003cp\u003e\u003c!--more--\u003e\u003c\/p\u003e\n\u003cp\u003eGuillem Celada Prior (Sabadell, 1986) works at the Design Museum of Barcelona, where he participates in the ongoing project of the oral memory archive of local design. From an early age, he has researched furniture that pique his interest. Time, memory, and objects are aspects that guide him and are repeated in his various research, restoration, interior design, and curatorial activities. Currently, he combines his work at the Design Museum with advising design publishers and completing his doctoral thesis on the artistic and cultural scene known as Tuset Street.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\n\u003c\/p\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55472549101910,"sku":null,"price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/official-mbm2-scaled.jpg?v=1790175419"},{"product_id":"la-casa-fulla-tot-estava-per-fer-i-tot-era-possible-briongos-clotet-faura-rovira-tusquets","title":"La Casa Fullà. Tot estava per fer i tot era possible \/ Briongos, Clotet, Faura, Rovira, Tusquets","description":"\u003cp\u003eLa Casa Fullà  (1970) was one of the first projects of the PER architecture studio. Lluís Clotet and Oscar Tusquets expressed in the project's description their intention for the architecture to \"foster a libertarian type of social relationship\". This translated into mixing different types of housing with generous common spaces to facilitate interaction between neighbors. The house did not turn people into libertarians, but it did attract unconventional inhabitants, and these simplex, duplex, and triplex units were one of the focal points of Barcelona's counterculture.\u003c\/p\u003e\n\u003cp\u003e\u003c!--more--\u003e\u003c\/p\u003e\n\u003cp\u003eThis publication brings together graphic and textual material from the time, from the architects' exquisite drawings to a poem by Joan Brossa and a photographic report by Oriol Maspons. It also includes some panels that Xavier Sust designed, in the manner of a postmodern Aby Warburg, to explain the work of Clotet and Tusquets, and a panegyric that Anna Mª Moix wrote about the house under the pseudonym of the vampire \"Count of Puigvalls\", implicitly inviting other outsiders -zombies, werewomen, and other long-haired beings- to live in this castle in the Guinardó neighborhood of Barcelona.\u003c\/p\u003e\n\u003cp\u003eLluís Clotet and Oscar Tusquets tell a joint story, recalling (like Georges Perec) how their career began. Ramon Faura, an architect and musician who tried (without success) to fit a piano into Fullà, relates it to the emergence of the computational world. Josep Mª Rovira, a professor at ETSAB and a resident of 5C for many years, explains the architectural culture of the time and the genesis of the house, while Ana Briongos, a writer, traveler, and daughter of the builder, narrates life in these homes. Completing this narrative is the photographic report by José Hevia, which shows the interiors of these exceptional apartments for the first time.\u003c\/p\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55472562733398,"sku":null,"price":26.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/LA-CASA-FULLA-min-scaled.jpg?v=1790175554"},{"product_id":"tante-simone","title":"Tante Simone","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e‘I wanted to make this book—this memoir, this memory of the house of someone who had meant a great deal to me, to us all, and of a universe which was a sort of laboratory for what I was to become’.\u003cbr\u003e\n\u003c\/span\u003e\u003cspan class=\"s1\"\u003e—Dominique Nabokov\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!--more--\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003ePhotographer Dominique Nabokov was raised by her aunt Simone from the age of four, in a detached house surrounded by a modest garden in the French town of Compiègne. Those formative years would be a blend of everydayness—from picnics to car rides in the family’s Deux Chevaux—and of vivid daydreams propelled by her fascination with Hollywood and its stars. After her aunt’s death in 1999, Dominique decided to photograph the house, as it was left, to keep a record of the place where it all began and a memory of the person behind it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e\u003cspan class=\"s1\"\u003eThis book follows Dominique’s celebrated \u003ci\u003eLiving Rooms\u003c\/i\u003e series, which intimately portrayed the interior worlds of the cultural nomenclature in New York, Paris and Berlin, three pivotal cities for the photographer. Our publication of these volumes, born out of a series originally commissioned by the \u003ci\u003eNew Yorker\u003c\/i\u003e in the ‘90s, renewed an appreciation for the French photographer. This is our fourth collaboration in a relationship that spans more than a decade, and is Dominique’s most personal project to date. The photographs are accompanied by a vivid memoir, written by Gini Alhadeff from an interview with Dominique, to give a glimpse into her generally unknown and extraordinary life story.\u003c\/span\u003e\u003c\/p\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55472564240726,"sku":null,"price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/tante-simone-min-scaled.jpg?v=1790175586"},{"product_id":"renewing-the-city-from-within","title":"Renewing the City from Within","description":"\u003cp\u003eWhat role can interiors play in adapting to the rapidly changing lifestyles of our cities’ inhabitants? Resulting from a study project carried out at the Geneva University of Art and Design (HEAD – Genève), «Renewing the city from the Within» formulates alternatives to the urban development model centred on building expansion, by proposing scenarios for the renewal, from the inside out, of existing collective housing buildings in Geneva.By analysing a sample of collective housing buildings from the three main periods of the city’s development, the publication develops scenarios aimed at adapting these typologies to a convivial and mixed lifestyle, based on principles of solidarity, hospitality and sharing.\u003c\/p\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55472566436182,"sku":null,"price":43.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/Renewing-the-City-from-Within-min-scaled.jpg?v=1790175598"},{"product_id":"five-works","title":"Five Works","description":"\u003cp\u003eCombining a genuine interest in contemporary and historical architecture with a desire to make sculpture functional, these five projects form a distinct body of work within Philip Metten’s practice: ‘Bar’ (2013), ‘153. Stanton’ (2015), ‘The Corner Show’ (2015), ‘Cinema’ (2017), and ‘Essen’ (2016–2021). Wouter Davidts’s analysis of ‘Untitled’ (2014) sets the tone, a work that seems to anticipate the complex interplay between drawing, sculpture, and architecture apparent in Metten’s other projects, where he gives spaces with a distinct social programme and scale a sculptural transformation. With photos by Jan Kempenaers and drawings by Kris Kimpe and Samyra Moumouh.\u003c\/p\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55472593928534,"sku":null,"price":38.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/five-works-min-scaled.jpg?v=1790175825"},{"product_id":"lluis-domenech-i-montaner","title":"Lluís Domènech i Montaner","description":"\u003cp\u003eBased on the motto of the time \"the beautiful and the useful\", Lluís Domènech i Montaner (1849-1923) succeeded in integrating all arts, creating an inexhaustible repertoire of forms, lines, and colors for the benefit of a unique architectural project, consolidating a language and aesthetic models that would establish the foundations of modern design. This book traces the evolution of his work and his thoughts through numerous articles and the analysis of his extensive ornamental program, showcasing his most prominent designs in glass, wood, iron, stone, hydraulic floors, mosaics, and ceramics, skillfully executed by his collaborators, to whom the author also pays a small tribute.\u003c\/p\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55472609493334,"sku":null,"price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/lluis-domenech-i-montaner-min-scaled.jpg?v=1790176056"},{"product_id":"vestir-la-silla-desnuda","title":"Vestir la Silla Desnuda","description":"\u003cp\u003eBack in 1973 Carles Riart, a real cult figure in the field of furniture design, made one of the very first post modern chairs and called it \u003cem\u003eSilla Desnuda\u003c\/em\u003e (Naked Chair), with the conceptual drive to make the bare structure of a chair that should be completed, or dressed, by the buyer.\u003c\/p\u003e\n\u003cp\u003e\u003c!--more--\u003e\u003c\/p\u003e\n\u003cp\u003eTo celebrate its 50th anniversary, Architect Silvia García Camps decided to invite seven young designers to dress the chair from a contemporary perspective, using six chairs found and restored by chair collectors Gerard Dago, Stefano Colli and Luis Cerveró, plus a seventh one provided by Riart himself.\u003c\/p\u003e\n\u003cp\u003eThe seven designers invited to participate were Bastida for Work, Bet Callieri, Camisas Manolo, Gabriel for Sach, Georgelia Studio, Rosa Tharrats and Rubearth. And their chairs were exhibited in three consecutive exhibitions at Nave Seis, Il.lacions gallery and the Museu del Disseny de Barcelona, between the spring and fall of 2023.\u003c\/p\u003e\n\u003cp\u003ePhotographer Claudia Mauriño shot all resulting chairs, except Gabriel for Sach’s submission, who didn’t make the deadline for the studio session (but was indeed in the final exhibitions).\u003c\/p\u003e\n\u003cp\u003eThis publication shows six of the chairs from front and back perspectives, a sneak-peek into each designer’s creative process, and a thorough interview conducted by Luis Cerveró at Carles Riart’s home discussing archival material about the original creation of the chair, and its presence in the seventies and eighties. It also includes a folded poster of one of Riart’s numerous watercolors illustrations featuring the \u003cem\u003eSilla Desnuda\u003c\/em\u003e.\u003c\/p\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55472648323414,"sku":null,"price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/1.1-min-scaled.jpg?v=1790176275"},{"product_id":"je-dors-je-travaille","title":"Je Dors, Je Travaille","description":"\u003cdiv class=\"product-detail-description-text\"\u003eNow in its third edition, this catalogue offers a unique insight into the life and work of the French artist, sculptor, and ceramist Valentine Schlegel.\u003c\/div\u003e\n\u003cp\u003e\u003c!--more--\u003e\u003c\/p\u003e\n\u003cdiv class=\"product-detail-description-text\"\u003eIt features a large iconography, archives, and texts by sculptor and Schlegel specialist Hélène Bertin. Originally published in 2017 on the occasion of an exhibition at CAC Brétigny, it forms a fitting tribute to Schlegel, who can be considered one of the most important ceramists of 1950s. She conceived her works as sculptures inspired by nature, primitive but sophisticated at the same time. An extensive look at her sculpted interiors and architectural elements in plaster, especially the numerous fireplaces she created, is also featured.\u003c\/div\u003e\n\u003cdiv class=\"row product-detail-custom-fields-container\"\u003e\n\u003cdiv class=\"col-md-10 col-lg-6\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55472883499350,"sku":null,"price":40.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/Je-Dors-Je-Travaille-min-scaled.jpg?v=1790178049"},{"product_id":"materia","title":"Materia","description":"\u003cp\u003eSince the 1980s, Juan Travnik has wandered at dawn through a ghostly Buenos Aires, empty of all human presence, capturing the darkness of the severe urban and peripheral landscapes. Over the years, color has gained increasing importance.\u003c\/p\u003e\n\u003cp\u003e\u003c!--more--\u003e\u003c\/p\u003e\n\u003cp\u003eThe muted nuances of his chromatic repertoire translate his despondency in the face of the current crisis in Argentina. Everywhere, the alteration of the walls and sidewalks, splatters and stains here and there, oxidations, cracks and holes, rust, the accumulation of plaster exude a somber anguish and bathe the city in a gloomy light.\u003c\/p\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55472946381142,"sku":null,"price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/Juan-Travnik-min-scaled.jpg?v=1790178373"},{"product_id":"the-italian-interiors-of-elsa-peretti","title":"The Italian Interiors of Elsa Peretti","description":"\u003cp\u003eStep into wonder: \u003cem\u003eThe Italian Interiors of Elsa Peretti \u003c\/em\u003echarts a voyage through two sumptuous homes of the late artist whose designs completely reshaped jewellery in the 20th century and are still worn by the world’s biggest stars today. Capturing the terracotta glow of these spaces, Estelle Hanania’s ethereal photography introduces us to the wilds of Torre Avoltore, a towering residence in Porto Ercole, and invites us to retire to stately Rome, where Elsa grew up.\u003c\/p\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55473115332950,"sku":null,"price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/the-italian-interiors-of-elsa-peretti-min-scaled.jpg?v=1790180074"},{"product_id":"donald-judd-spaces","title":"Donald Judd Spaces","description":"\u003cdiv class=\"product-detail-description-text\"\u003e\n\u003cdiv class=\"product__descrip\"\u003e\n\u003cdiv class=\"product__descrip__copy copy\"\u003e\n\u003cdiv class=\"product__descrip\"\u003e\n\u003cdiv class=\"product__descrip__copy copy\"\u003e\n\u003cp\u003eThis expansive volume presents an unprecedented visual survey of Donald Judd's permanently installed living and working spaces in New York and Texas. Edited by Rainer Judd and Flavin Judd, it includes newly commissioned and archival photographs presented alongside five essays and drawings for architecture and design by the artist. From 101 Spring Street, a nineteenth-century cast-iron building in Manhattan, to Ayala de Chinati, an extensive ranch in the mountains of western Texas, this book details the interiors, exteriors, and land surrounding the buildings that comprise Judd’s extant living and working spaces stewarded by Judd Foundation. Each space was thoroughly considered by Judd with resolute attention to function and design. From furniture to utilitarian structures that Judd designed himself, these spaces underscore his deep interest in the preservation of buildings and his deliberate interventions within existing architecture.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55473188634966,"sku":null,"price":100.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/DonaldJuddSpaces-scaled.jpg?v=1790180592"},{"product_id":"donald-judd-furniture","title":"Donald Judd Furniture","description":"\u003cdiv class=\"product-detail-description-text\"\u003e\n\u003cdiv class=\"product__descrip\"\u003e\n\u003cdiv class=\"product__descrip__copy copy\"\u003e\n\u003cdiv class=\"product__descrip\"\u003e\n\u003cdiv class=\"product__descrip__copy copy\"\u003e\n\u003cp\u003e\u003cem\u003e‘The art of a chair is not its resemblance to art, but is partly its reasonableness, usefulness, and scale as a chair.’ \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDonald Judd Furniture\u003c\/em\u003e includes more than one hundred pieces of his furniture, spanning 1970 to 1991, designed for his living and working spaces at 101 Spring Street and in Presidio County, Texas. The publication introduces readers to Donald Judd’s furniture designs, initiated during the renovation of his home and studio at 101 Spring Street in New York, and as the result of the difficulty Judd later had in furnishing his home in Marfa, Texas. These furniture designs exemplify the directness of form and presence for which his artworks are celebrated, as well as offering a distinct and unadorned functionality. In this book they are presented through detailed drawings and breakdowns of materials, and color photography exploring their placement and function within these spaces. As well as surveying a central aspect of his work, \u003cem\u003eDonald Judd Furniture\u003c\/em\u003e details Judd’s understanding of functionality, form, and his deep interest in the possibilities of design in a world of mass-production.\u003c\/p\u003e\n\u003cp\u003eCo-published by Mack and the Judd Foundation.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55473196826966,"sku":null,"price":70.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/DonaldJuddFurniture-scaled.jpg?v=1790180665"},{"product_id":"goodgoodspaper2","title":"GoodGoodsPaper #2","description":"\u003cdiv class=\"product-detail-description-text\"\u003e\n\u003cdiv class=\"product__descrip\"\u003e\n\u003cdiv class=\"product__descrip__copy copy\"\u003e\n\u003cdiv class=\"product__descrip\"\u003e\n\u003cdiv class=\"product__descrip__copy copy\"\u003e\n\u003cdiv class=\"before\"\u003e\n\u003cp\u003eTerranova teams up with architect and design chair enthusiast Stefano Colli, the brain behind GoodGoodStefano, to publish a series of limited-run zines under the name \u003cem\u003eGoodGoodsPaper\u003c\/em\u003e that will showcase an exclusive interview between Colli and an industrial designer to talk about one specific chair.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"after transition-5 overflow-hidden\"\u003e\n\u003cp\u003eThis second issue captures the conversation held in Milan with Margherita Pellino, head of the Fondazione Vico Magistretti, about one of Magistretti's least known designs, the Loden armchair, sourced and restored by Stefano Colli. The interview throws light in some aspects of Magistretti's life and practice, from his ties to some of his contemporary designers and furniture editors, to more personal matters such as his relation to fashion, his passion for color red, or his personal relationship to Margherita, who is Vico Magistretti's grand daughter. Some of his more iconic designs are also part of the conversation, such as Selene, Silver or Carimate chairs, or the Atollo lamp.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55473199546710,"sku":null,"price":5.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/GoodGoodStefano2-scaled.jpg?v=1790180687"},{"product_id":"rietveld-schroder-house","title":"Rietveld Schröder House","description":"\u003cdiv class=\"product-detail-description-text\"\u003e\n\u003cdiv class=\"product__descrip\"\u003e\n\u003cdiv class=\"product__descrip__copy copy\"\u003e\n\u003cdiv class=\"product__descrip\"\u003e\n\u003cdiv class=\"product__descrip__copy copy\"\u003e\n\u003cdiv class=\"purchase-info\"\u003e\n\u003cdiv class=\"purchase-inner\"\u003e\n\u003cdiv class=\"purchase-inner-wrap\"\u003e\n\u003cform id=\"product-form-template--23328621560143__main\" class=\"form\" accept-charset=\"UTF-8\" action=\"https:\/\/publicknowledgebooks.com\/cart\/add\" enctype=\"multipart\/form-data\" method=\"post\" novalidate=\"novalidate\" data-type=\"add-to-cart-form\"\u003e\n\u003cdiv class=\"product-form__buttons\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"purchase-info\"\u003e\n\u003cdiv class=\"purchase-inner\"\u003e\n\u003cdiv class=\"purchase-inner-wrap\"\u003e\n\u003cdiv class=\"purchase-prod-deets\"\u003e\n\u003cdiv id=\"Quantity-Form-template--23555460792655__main\" class=\"product-form__input product-form__quantity\"\u003e\n\u003cdiv class=\"price-per-item__container\"\u003e\n\u003cdiv class=\"purchase-info\"\u003e\n\u003cdiv class=\"purchase-inner\"\u003e\n\u003cdiv class=\"purchase-inner-wrap\"\u003e\n\u003cdiv class=\"purchase-prod-deets\"\u003e\n\u003cdiv id=\"Quantity-Form-template--23555460792655__main\" class=\"product-form__input product-form__quantity\"\u003e\n\u003cdiv class=\"price-per-item__container\"\u003e\n\u003cdiv class=\"purchase-info\"\u003e\n\u003cdiv class=\"purchase-inner\"\u003e\n\u003cdiv class=\"purchase-inner-wrap\"\u003e\n\u003cdiv class=\"purchase-prod-deets\"\u003e\n\u003cdiv id=\"Quantity-Form-template--23555460792655__main\" class=\"product-form__input product-form__quantity\"\u003e\n\u003cdiv class=\"price-per-item__container\"\u003e\n\u003cdiv class=\"textLayer\"\u003e\n\u003cp\u003e\u003cstrong\u003eThe official book marking \u003c\/strong\u003e\u003cstrong\u003ethe centenary of the Rietveld \u003c\/strong\u003e\u003cstrong\u003eSchröder House tells the story \u003c\/strong\u003e\u003cstrong\u003eof two lovers and radical \u003c\/strong\u003e\u003cstrong\u003einnovators in modern \u003c\/strong\u003e\u003cstrong\u003earchitecture: Truus Schröder \u003c\/strong\u003e\u003cstrong\u003eand Gerrit Rietveld\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cbr\u003e\n\"The idea of living in the house like this essentially came from me.\"\u003cbr\u003e\n\u003c\/em\u003e— Truus Schröder\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRietveld Schröder House: A Biography of the House\u003c\/em\u003e tells the story of the iconic house and its creators, Truus Schröder (1889–1985) and Gerrit Rietveld (1888–1964). The construction of the house, the designs by ‘Schröder \u0026amp; Rietveld Architects’, the war years, the renovations and the many family parties: this richly illustrated publication builds up a picture of the colourful life of the idiosyncratic Rietveld Schröder House.\u003c\/p\u003e\n\u003cp\u003eIn addition to many previously unpublished photographs, drawings, designs and letters, the book provides in-depth insight into Rietveld and Schröder’s collaboration and their shared ambition to radically change traditional (interior) architecture. The research by authors Natalie Dubois and Jessica van Geel also convincingly shows that Truus Schröder’s role was far greater than previously assumed. As a gifted designer, Schröder was much more than Gerrit Rietveld's ‘muse’. Her creative vision proved crucial to their joint projects.\u003c\/p\u003e\n\u003cp\u003eWith its bespoke design by Irma Boom, this publication is a tribute to the world-famous house built in 1924 that continues to inspire today. \u003cem\u003eRietveld Schröder House: A Biography of the House\u003c\/em\u003e is an accessible and essential reference work for lovers of modern architecture, art history \u003cem\u003eand\u003c\/em\u003e revolutionary daring.\u003c\/p\u003e\n\u003cp\u003eThis publication coincides with the centenary of the Rietveld Schröder House, and is issued in collaboration with Centraal Museum Utrecht.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/form\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55473304731990,"sku":null,"price":80.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/Rieytveld-scaled.jpg?v=1790181519"},{"product_id":"ap-7-km7","title":"AP-7 KM7","description":"\u003cp\u003ePol Masip is a young photographer whose main focus is Architecture and normally works under commission. But he decided to undertake a small personal project and took off with his friend Eduard Sedó to spend a couple of days and photograph a worn off highway station designed by the prestigious architect Josep Lluis Sert. Built in 1978, the same year of the much well known Fundació Miró in the city of Barcelona, la Porta Catalana (Catalan Gate) has welcomed travelers from France for almost fifty years and is currently in an evident state of decay.\u003c\/p\u003e\n\u003cp\u003eThe pristine photos of a building which has lost its past glory and seems to lay forgotten and ignored are paralleled with the written words of the author in a personal diary style, narrating the details of the visit and the short encounters with the few individuals who still populate the facilities, such as police officers or a weeping cleaning woman, who bring humanity and a deeper emotional insight into the sometimes cold and aseptic job of Architecture photography.\u003c\/p\u003e\n\u003cp\u003eThis publication, designed by Sergi Vilà Bori, is a limited double edition of 50 copies in English and 50 copies in Catalan.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55473330159958,"sku":null,"price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/pol-masip-ap7km7-terranova-cover.png?v=1790181803"},{"product_id":"barcelona-1993-2020","title":"Barcelona 1993-2020","description":"\u003cp\u003eJordi Baron’s photographic project, documented in his eponymous book, captures the emptying of over 200 apartments in Barcelona’s Eixample district over nearly three decades. 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Their self-published, lo-fi but materially ingenious magazine \u003ci\u003eArchigram\u003c\/i\u003e, begun in 1961, announced their ideas for such visionary concepts as \"Walking City,\" \"Plug-In City\" and \"Instant City.\" It also served to connect the international avant-garde of the 1960s. Archigram forged links with the Metabolists in Japan, Frei Otto, Utopie and Haus-Rucker-Co in Europe, and Buckminster Fuller in the US. They were also championed by critics such as Charles Jencks and Reyner Banham, who brought \u003ci\u003eArchigram\u003c\/i\u003e's famous fourth pop-up issue to the US in 1966.\u003c\/p\u003e\n\u003cp\u003eToday \u003ci\u003eArchigram\u003c\/i\u003e is one of the rarest major small-press publications of the 1960s, with individual issues selling for a minimum of $600.Archigram's influence has proved enduring, perhaps most famously in its widely acknowledged impact on Richard Rogers' and Renzo Piano's Centre Pompidou. Its members also taught and influenced the likes of Bernard Tschumi and Zaha Hadid, and inspired a later generation of nineties and noughties modernists embracing the potential of technology such as Future Systems, Foreign Office Architects, Diller Scofidio + Renfro, Anthony Dunne and Fiona Raby.\u003c\/p\u003e\n\u003cp\u003eThis authorized publication features exact facsimiles of all 10 issues (from number 1 in 1961 to the final issue 9½ in 1974). All the original surprises and idiosyncrasies are faithfully reproduced: flyers, pockets, a pop-up centerfold, posters, gatefolds and an electronic resistor. (Only the seeds in the seed packet attached to issue 9 are not included, as seeds cannot be shipped across borders.) Accompanying the facsimile issues is a fully illustrated reader's guide featuring essays by Peter Cook, David Grahame Shane and Reyner Banham; tributes from the architectural community including Tadao Ando, Kenneth Frampton, Norman Foster, Zamp Kelp, David Rockwell and Patrik Schumacher; an index of key concepts and contents; a scrapbook of previously unseen archival images; a bibliography of the partners' publications; and biographies.\u003c\/p\u003e\n\u003cp\u003eThe architect-collaborative group \u003cb\u003eArchigram\u003c\/b\u003e was established in London by Warren Chalk, Peter Cook, Dennis Crompton, Ron Herron, David Greene and Michael Webb. Working together until 1975, the group operated as an experimental think tank, producing a magazine, projects, models, exhibitions and proposals that represented a shift in how architectural practice is considered, prioritizing processes and responsive structures for living over the notion of architecture as a static, form-based commodity. Influenced by popular culture and responding to the proliferation of technological advances at the time, as well as recognizing the increasing social and political discontent, Archigram's production emphasized mobility and flexibility in ways that continue to have currency today.\u003c\/p\u003e\n\u003cp\u003eContributors include: Tadao Ando, Shigeru Ban, Aric Chen, Beatriz Colomina, Mike Davies, Odile Decq, Neil Denari, Norman Foster, Kenneth Frampton, Nicholas Grimshaw, Ivan Harbour, Tom Heneghan, Steven Holl, Bjarke Ingels, Toyo Ito, Zamp Kelp, Reed Kroloff, Toshiko Mori, Laurids Ortner and Manfred Ortner, Juhani Pallasmaa, Mónica Ponce de León, David Rockwell, Moshe Safdie, Annabelle Selldorf, Patrik Schumacher, Alan Stanton, Bernard Tschumi.\u003c\/p\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55473431707990,"sku":null,"price":212.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/ArchigramSmall-scaled.jpg?v=1790183294"},{"product_id":"goodgoodspaper-3-oscar-tusquets","title":"GoodGoodsPaper #3 - Oscar Tusquets","description":"\u003cdiv class=\"product-detail-description-text\"\u003e\n\u003cdiv class=\"product__descrip\"\u003e\n\u003cdiv class=\"product__descrip__copy copy\"\u003e\n\u003cdiv class=\"product__descrip\"\u003e\n\u003cdiv class=\"product__descrip__copy copy\"\u003e\n\u003cdiv class=\"before\"\u003e\n\u003cp\u003eTerranova teams up with architect and design enthusiast Stefano Colli, the brain behind GoodGoodStefano, to publish a series of limited-run zines under the name \u003cem\u003eGoodGoodsPaper\u003c\/em\u003e that will showcase an exclusive interview between Colli and an industrial designer to talk about one specific product.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"after transition-5 overflow-hidden\"\u003e\n\u003cp\u003eThis third issue, coproduced with design editorial firm Santa \u0026amp; Cole, captures the conversation between Colli and Spanish architect, designer, painter and writer Oscar Tusquets Blanca. The couple discuss the re-release of the bookshelf-specific Bib Luz and the history behind its concept and development. Stefano throws a few other random questions to try and draw a portrait of Tusquets. 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This book unveils photographic depictions of the architect's work and private spaces as a tribute and a celebration, an anthem of love and admiration. While spending time in his private home, as enthusiastic aficionados enchanted by the elements of his house, the game unfolds. In his home, the artists' quest was to get as close as possible, so close as to caress the walls and floors. The artists measured their own bodies with his, sat in his chairs, opened his closets, listened in silence and kissed in the enchanted garden. 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Moreover, besides sharing El Internacional's most successful recipes, menus and memorabilia, it portrays the urban history of a city in continuous transition.\u003c\/p\u003e\n\u003cp\u003eOur copies are from the very sought after FIRST EDITION from 2017.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55473559339350,"sku":null,"price":100.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/ElInternacional.jpg?v=1790183735"},{"product_id":"imaginary-dishes","title":"Imaginary Dishes (2014)","description":"\u003cdiv class=\"product-info__description\"\u003e\n\u003cdiv class=\"prose\"\u003e\n\u003cp\u003e\u003cem\u003eVajilla Imaginaria \/ Vaixella Imaginària \/ Imaginary Dishes\u003c\/em\u003e originated in Barcelona and brought together over 200 artists, designers, chefs, architects, and residents. Each of these generous participants intervened on a white plate, freely choosing its format and content.\u003c\/p\u003e\n\u003cp\u003eThe resulting imaginary tableware captured memories, critiques, desires, and fantasies—offering a visual and emotional archive of lived experience. The plates were later auctioned to support the FoodCultura Museum, and this catalogue documenting the initiative was published with support from Moritz.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003eThe book documents original tableware pieces by personalities such as \u003cstrong\u003eFerran Adrià\u003c\/strong\u003e, \u003cstrong\u003eIsabel Coixet\u003c\/strong\u003e, \u003cstrong\u003eLa Fura dels Baus\u003c\/strong\u003e, \u003cstrong\u003ePasqual Maragall\u003c\/strong\u003e, \u003cstrong\u003eJavier Mariscal\u003c\/strong\u003e, \u003cstrong\u003eMiralda\u003c\/strong\u003e, \u003cstrong\u003eQuim Monzó\u003c\/strong\u003e, \u003cstrong\u003eJaume Plensa\u003c\/strong\u003e, \u003cstrong\u003eXavier Rubert de Ventós\u003c\/strong\u003e, \u003cstrong\u003eAmerica Sanchez\u003c\/strong\u003e, \u003cstrong\u003eMatthew Tree\u003c\/strong\u003e, \u003cstrong\u003eJaume Vallcorba\u003c\/strong\u003e and \u003cstrong\u003eJorge Wagensberg\u003c\/strong\u003e.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55473560060246,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/VaixellaImaginaria-scaled.jpg?v=1790183750"},{"product_id":"album-1973","title":"Album (1973)","description":"\u003cdiv class=\"product-info__description\"\u003e\n\u003cdiv class=\"prose\"\u003e\n\u003cp\u003e\u003cem\u003eAlbum\u003c\/em\u003e is considered Miralda's first artist book, after a string of minor publications. It was published on the occasion of his exhibition at the Sala Pelaires in Palma de Mallorca in 1973. The book is unpaginated, bound with cardboard covers sewn with a cord, and includes 80 black and white photographs along with four separate reprints. The photographs and sketches within \u003cem\u003eAlbum\u003c\/em\u003e were made during his mandatory military service and served as a creative refuge, forming the basis for his anti-war sculptures and future projects.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003eAll copies on sale are SIGNED BY THE ARTIST.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55473561043286,"sku":null,"price":150.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/Album-scaled.jpg?v=1790183763"},{"product_id":"mona-a-barcelona-1980","title":"Mona a Barcelona (1980)","description":"\u003cdiv class=\"product-info__description\"\u003e\n\u003cdiv class=\"prose\"\u003e\n\u003cp\u003eThis book by Miralda and Llorenç Torrado, published by the legendary Poligrafa, documents the homonymous exhibition held at the Galeria Joan Prats in Barcelona in March and April 1980. Miralda's immersive art installation transformed the gallery  into a large chocolate \"mona\" with the help of local master pastry chefs. It is profusely illustrated and includes a couple of fold-out inserts. It features texts in Catalan, Spanish, and English, and serves as a comprehensive record of this unique, multi-sensorial art event that explored the use of food as a semiotic system and the ephemeral nature of festive art, marking a landmark in Miralda's work and consolidating his artistic practice through the cultural exchange and social identity of food rituals\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55473561796950,"sku":null,"price":50.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/MonaABarcelona-scaled.jpg?v=1790183777"},{"product_id":"el-sant-sopar-1976","title":"El Sant Sopar (1976)","description":"\u003cdiv class=\"product-info__description\"\u003e\n\u003cdiv class=\"prose\"\u003e\n\u003cp\u003eThis is a set of 10 postcards published in the legendary collection Art Enllà, directed by conceptual art gallery owner and artist Manuel Valls for Llibres del Mall. Miralda's set is an open, playful invitation to use the set of postcards as a puzzle, creating one single panoramic image of The Last Supper, and also colorize the image using color pencils or markers. Miralda created this work abut Christ's Las Supper both as a series of ten consecutive postcards as well as a single piece of wall paper.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55473562714454,"sku":null,"price":50.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/ArtEnlla-scaled.jpg?v=1790183790"},{"product_id":"honeymoon-miralda-project-1986-1992","title":"Honeymoon Miralda Project (1986-1992)","description":"\u003cdiv class=\"product-info__description\"\u003e\n\u003cdiv class=\"prose\"\u003e\n\u003cp\u003eThis volume, published by Ambit in 1990 to coincide with Miralda's large exhibition at the Venice Biennale, was the first effort to document in book format the whole Honeymoon Project, even if it was still two years away from completion.\u003c\/p\u003e\n\u003cp\u003eWith an introduction by Daniel Giralt Miracle.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55473564549462,"sku":null,"price":80.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/HoneymoonProject-scaled.jpg?v=1790183803"},{"product_id":"miralda-7-13-selected-projects-1978","title":"Miralda 7 - 13 Selected Projects (1978)","description":"\u003cdiv class=\"product-info__description\"\u003e\n\u003cdiv class=\"prose\"\u003e\n\u003cp\u003ePublished on the occasion of the artist's exhibition at ICC Antwerpen, this pink folder contains two separate documents: a screen-printed booklet of 13 selected projects between 1972 and 1978, and thinner, stapled publication with a text by Pierre Restany, \"\u003cem\u003eAn artist's life\"\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMiralda - 13 selected projects 1978-1972: A taula i al llit al primer crit - Flower Rite - Breadline - Labor Day Festa - Fest Für Leda - Hotel Orient Meringue Cake - Alles, was flügel hat, fliegt - Red Die # 2 - Situació Color - Movable Feast - Performance - John Kaldor Project - Edible Landscape. Internationaal Cultureel Centrum, Antwerpen, 27 mei - 25 juni 1978\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eText in Dutch and French. All copies SIGNED BY THE ARTIST.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55473565729110,"sku":null,"price":250.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/ICC-scaled.jpg?v=1790183817"},{"product_id":"power-food-lexicom-2009","title":"POWER FOOD LEXIcom (2009)","description":"\u003cdiv class=\"product-info__description\"\u003e\n\u003cdiv class=\"prose\"\u003e\n\u003cp\u003ePOWER FOOD LEXIcom is presented as an archive or lexicographical inventory that proposes a reflection on the infinite relationships between food, culture, energy and power. The introduction of the book, or lexicon itself, is a collection of keywords or semantic fields related to 50 subjects. Two ways of browsing the contents of POWER FOOD LEXIcom are suggested: one by reading the texts following the order of the lexicon, and another by viewing the images that accompany the texts without pretending to illustrate them, offering a transversal interpretation. POWER FOOD LEXIcom transforms the poetic and powerful image of food into a wealth of voices, idioms and messages that propose a journey through the network of connections that link food with energy and medicine, rites with beliefs and popular culture and power with economy and control.\u003c\/p\u003e\n\u003cp\u003eThis book was published as a catalogue of the exhibition of the same name at Es Baluard, Museu d'Art Modern i Contemporani de Palma.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55473566515542,"sku":null,"price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/Powerfood-scaled.jpg?v=1790183832"},{"product_id":"moda-sin-flash-elle-1964-1971","title":"Moda sin flash (Elle 1964-1971)","description":"\u003cdiv class=\"product-info__description\"\u003e\n\u003cdiv class=\"prose\"\u003e\n\u003cp\u003e(Text by publisher RM)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist and restaurateur Antoni Miralda presents for the first time his 1960s fashion photography from Paris and London in a striking volume. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e“Elle” magazine was directed by brilliant journalist, Hélène Lazareff, and artist director, Peter Knapp. It was at this time that Antoni Miralda photographed the beginning of the supermodels and the arrival of the sensational and radically different Twiggy.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFashion photography occupies an unknown, but important place in Antoni Miralda’s career. This book allows us to understand how influential his work was at that time.  After settling in Paris, the artist began to collaborate regularly with ELLE magazine between 1964 and 1971, working on contemporary seasonal collections linked to the art world. Among the many reports carried out by Miralda for ELLE magazine there is one that stands out for the notoriety of the model who stars in it, the iconic Twiggy.\u003c\/p\u003e\n\u003cp\u003eMost images at the time showed models in studios, while Miralda took these models out into the street, into an uncodified and unpredictable space. Faced with the Grand Paris of Haussmann, of museums and imposing cathedrals, Miralda prefers the blind points of historicist urbanism; popular, uncliched places with a great human density.\u003c\/p\u003e\n\u003cp\u003eNo-Flash Fashion, with its contemporary design and its references to fashion magazines and archives, presents for the first time a detailed view of the undiscovered work of one of the most versatile and iconic artists of the twentieth century.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55473571037526,"sku":null,"price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/ModaSinFlash-scaled.jpg?v=1790183846"},{"product_id":"food-pavillion-2000","title":"Food Pavillion (2000)","description":"\u003cdiv class=\"product-info__description\"\u003e\n\u003cdiv class=\"prose\"\u003e\n\u003cp\u003eThis one's a really sought after, hard to come across publication by Miralda. It is a little pop-up-fold-out-cut-out phantasy inside a paper case, capturing one of Miralda's most ambitious installations: The Food Pavillion.\u003c\/p\u003e\n\u003cp\u003eThe Food Pavilion , presented at the 2000 World Expo in Hanover, occupied a 1500 m² space and served as a groundbreaking exploration of food as a cultural, symbolic, and sensory experience. Conceived after two years of research and developed by a dedicated working group, the pavilion offered a constellation of projects that collectively defined the concept of Food Culture—its methodologies, thematic structures, and artistic language. The layout followed a thematic program resembling a microcosm, where each intervention contributed to a broader reflection on nourishment, ritual, and global interconnectedness.\u003cbr\u003e\nAt the entrance, visitors encountered the pavilion’s centerpiece: the Infinity Table, a 41- meter-long structure made in the shape of an infinity symbol. It functioned as a communal space for exchange and dialogue. Embedded in its surface, illuminated glass cases displayed dry foods—beans, corn, rice—on one side, and objects, products, and documents from the FoodCultura Collection on the other. One loop of the table housed a high-tech kitchen, where over 100 chefs—professional and amateur—offered samples of insects and other exotic dishes, stimulating olfactory and gustatory experiences. The opposite loop presented stark imagery of violence, hunger, pollution, and waste, juxtaposing pleasure with global precariousness.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55473585422678,"sku":null,"price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/FoodPavillion-scaled.jpg?v=1790184104"},{"product_id":"chacarita-moderna-la-necropolis-brutalista-de-buenos-aires","title":" Chacarita Moderna. La necrópolis brutalista de Buenos Aires","description":"\u003cp\u003e\u003ci\u003eIn 1949, at a time when Argentina was one of the mostpowerful countries in the world, the city of Buenos Aireslaunched the construction of the Sexto Panteón, anunderground necropolis containing 150,000 burial plots.This monumental Brutalist-style cemetery is the first andlargest experimentation of modern architecture appliedto the funerary field, and yet remains unknown.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eÍtala Fulvia Villa (1913-1991), the project’s forgottenarchitect, was one of Argentina’s first female architects andurban planners. As a pioneer of South American modernism,she contributed to Le Corbusier’s master plan for BuenosAires.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eSixty years later, the French architect Léa Namer discoversthe Sexto Panteón and resurrects the name of its creator,carrying out an in-depth investigation of this unique moderncemetery. This book is a thoughtful and engaging reflectionon the legacy of a modern utopia, as well as a feministre-reading of history.\u003c\/i\u003e\u003c\/p\u003e\n\u003cdiv class=\"flex flex-col text-sm pb-25\"\u003e\n\u003carticle class=\"text-token-text-primary w-full focus:outline-none \u0026lt;--shadow-height:45px\u0026gt; has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has(\u0026lt;data-writing-block])\u0026gt;*\u0026gt;:pointer-events-auto scroll-mt-(--header-height)\" dir=\"auto\" tabindex=\"-1\" data-turn-id=\"36c2a4b7-2153-44d2-9a40-de59b2a0b5e9\" data-testid=\"conversation-turn-3\" data-scroll-anchor=\"false\" data-turn=\"user\"\u003e\u003c\/article\u003e\n\u003carticle class=\"text-token-text-primary w-full focus:outline-none \u0026lt;--shadow-height:45px\u0026gt; has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has(\u0026lt;data-writing-block])\u0026gt;*\u0026gt;:pointer-events-auto scroll-mt-\u0026lt;calc(var(--header-height)+min(200px,max(70px,20svh)))\u0026gt;\" dir=\"auto\" tabindex=\"-1\" data-turn-id=\"request-WEB:dd0a4f07-6162-4672-b9a0-011e1ba1c164-1\" data-testid=\"conversation-turn-4\" data-scroll-anchor=\"true\" data-turn=\"assistant\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 \u0026lt;--thread-content-margin:--spacing(4)\u0026gt; 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They have taught at EPFL Lausanne (2019– 2024) and, since 2025, at the University of Stuttgart.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55473623368022,"sku":null,"price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/Baukunst-scaled.jpg?v=1790184602"},{"product_id":"accattone-9","title":"Accattone 9","description":"\u003cdiv class=\"product__description rte quick-add-hidden\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eAccattone #9 brings together a reflection on the ebb and flow between affirmation and denial as well as material-conceptual operations with dirt. It features a reassembled art residency, furniture made from salvaged materials (and new bolts), drywall marquetry, a punk farm, the earliest cave construction, a lavatory covered in goose feathers, cars buried under asphalt, fake nails, gabion walls, hairy stuff, mud, a recipe for concrete rubble walls and slabs, a sandbag façade, theory fed to worms, a leaking fountain, theoretical fatbergs and the yes of the no.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eWith Jérémie Dussault-Lefebvre and Sébastien Roy, Arnaud Eubelen, Matthew Stadler, Emma Cocker, Homo neanderthalensis via Sophie Verheyden and Jacques Jaubert, Hélène Frichot, Maxence Grangeot, Baukunst, TEN and Babini Geysen with Tiphaine Abenia and Olivier Campagne, Jeremy Till and Sarah Wigglesworth, Truwant + Rodet +, Willie Morlon\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55473624351062,"sku":null,"price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/Accatone9-scaled.jpg?v=1790184614"},{"product_id":"bones-and-all","title":"Bones and All","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-\u0026lt;1.7\u0026gt;\"\u003e\u003ci\u003eBones and All\u003c\/i\u003e is a romantic horror film directed by Luca Guadagnino from a screenplay by David Kajganich, based on the 2015 novel \u003ci\u003eBones and All\u003c\/i\u003e by Camille DeAngelis. 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