{"title":"Photography","description":"","products":[{"product_id":"bill-6","title":"Bill #6","description":"\u003cp\u003e‘Bill’ is an annual magazine that prioritises visual reading of its photographic stories without the distraction of text. This issue contains 192 offset pages printed in CMYK, silver, and black and white on a dozen different paper stocks, along with some Japanese bound signatures.\u003c\/p\u003e\n\u003cp\u003eBILL6 with Rosemarie Trockel, Hana Miletic, RareBooksParis, Thorben Gröbel, Line-Gry Hørup with ORBI Summer School, Yuji Agematsu, Claude Closky, Blommers\/Schumm, Michael Schmidt, Beat Streuli, Adrianna Glaviano, Sam Contis, Julie Peeters, opm.\u003c\/p\u003e\n\u003cp\u003eCover by Rosemarie Trockel\u003c\/p\u003e\n\u003cp\u003eDesigned, edited, and produced by Julie Peeters. 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With unrelenting texts by Mª Aurèlia Capmany and compelling photographs by Colita, the book was a shock in the fragile climate of the democratic transition succeeding the fascist dictatorship.\u003c\/p\u003e\n\u003cp\u003e\u003c!--more--\u003e\u003c\/p\u003e\n\u003cp\u003e45 years later, with the efforts and leadership of Archivo Colita Fotografía, which has located and restored the original negatives, and through a co-production of Terranova and the City Council of Barcelona, \u003cem\u003eAntifémina\u003c\/em\u003e sees the light again in a new edition—personally supervised by Colita—which takes advantage of the current technical excellence to show the photographs as the author would have originally wished.\u003c\/p\u003e\n\u003cp\u003eMº Aurelia Capmany's texts, who passed away some years ago, have been respected in their integrity to pay homage to her memory and to demonstrate, unfortunately, the absolute validity of her denunciations and reflections.\u003c\/p\u003e\n\u003cp\u003eTo extend the book’s contemporary resonance, the accompanying public program addresses everyday infrastructures that shape women’s autonomy, including safe access to basic treatments and credible health information online. Discussions examine how references to \u003ca href=\"https:\/\/sweetwatermedicalcenter.com\/our_services\/pharmacy\/amoxil\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eamoxicillin online\u003c\/a\u003e circulate in digital culture and what distinguishes licensed, prescription-based pharmacy services from informal marketplaces. \u003c\/p\u003e\n\u003cp\u003eBy foregrounding verification, regulation, and digital literacy, the program links archival recovery to practical questions of care and accountability today. In this way, the reissue connects historical critique with present-day choices that affect bodies, households, and public health.\u003c\/p\u003e\n\u003cp\u003eAn essential book for art lovers, those interested in History and scholars of gender perspectives.\u003c\/p\u003e\n\u003cp\u003e*Last copies. This book which will not be reprinted.\u003c\/p\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55471687729494,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/antifemina.jpg?v=1790169951"},{"product_id":"diaris-2009-2019","title":"Diaris 2009-2019","description":"\u003cp\u003eThey are all photographs taken outside her professional career, in intimate moments, with her friends, lovers, or just alone by herself.\u003c\/p\u003e\n\u003cp\u003eIn this rather thick volume, Alba Yruela gathers a very personal selection of images she has taken during the first ten years of her practice as a photographer.\u003c\/p\u003e\n\u003cp\u003e\u003c!--more--\u003e\u003c\/p\u003e\n\u003cp\u003eThe pictures are shown in chronological order, making possible to perceive on one hand how Alba has built her very personal style during the years. 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The editorial narration, decided by the author herself in a meditation carried out over months, bets on an instinctive and abstract discourse, based on rhythmic and chromatic perceptions.\u003c\/p\u003e\n\u003cp\u003eThe interview in this issue was conducted by playwright Roger Bernat and the portrait was taken by Daniel Riera, both close friends of Rosa.\u003c\/p\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55471920054614,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/GONG-2.jpg?v=1790170481"},{"product_id":"la-la-land","title":"La La Land","description":"\u003cp\u003e\u003cem\u003eLa La Land\u003c\/em\u003e is the first book of photographer Chus Antón, but more than a book of photography, it is a travel book. Not a travel guide, but a travel book in the tradition of Petrarch in Mont Ventoux. To travel to live it, to travel to tell it, and above all, to travel to see it. I want to climb that mountain, I want to see it with my own eyes.\u003c\/p\u003e\n\u003cp\u003e\u003c!--more--\u003e\u003c\/p\u003e\n\u003cp\u003eChus is and has always been an incorrigible mythomaniac, so he travelled to Los Angeles to relive his legends, trace his journeys, and feel his presence, his absence, his energy. He needed to break down the barrier between the mental space and the physical space, to capture the scenarios of the collective imaginary in a crude way and devoid of any ornament.\u003c\/p\u003e\n\u003cp\u003eHowever, when the brutal effectiveness of his clinical gaze dialogues with the texts of Cristian Rodríguez, accomplice and traveling companion along with Lorena Quintana, we discover that the idea prevails over objectivity. An unimportant wall changes completely when we are told that it served as the background for Michael Jackson’s Thriller, or contained the recording of the Stooges’ Fun House, or hid the murder of Sam Cooke.\u003c\/p\u003e\n\u003cp\u003eIn an exercise in photographic theory much more relevant than it may seem, La La Land demonstrates that the image is not the same with or without complementary information. Can an idea change an image? Which of the two is the real image? The one that hides the meaning or the one that accompanies it? What is the image without the word? What is the difference between an image and the idea it contains?\u003c\/p\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55471925002582,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/LA-LA-LAND.jpg?v=1790170493"},{"product_id":"ciertas-vidas-perras","title":"Ciertas Vidas Perras","description":"\u003cp\u003eMar, Adrià Cañameras’ girlfriend, moved to Madrid for professional reasons. And Adrià began to visit her frequently, to document his stays, and to gradually become obsessed with a city that still conserves an incomparable aura to any other city in the world.\u003c\/p\u003e\n\u003cp\u003e\u003c!--more--\u003e\u003c\/p\u003e\n\u003cp\u003eIn a precise and serene manner, with an extraordinary maturity for his age, Adrià has photographed everything for more than two years. In this book, day and night, individuals and the masses, the street and the bars, statues and trees, the classic and the contemporary are constantly in dialogue… And very especially, the public and the private. Without clear frontiers, nor dividing lines, in the same way in which they are fused and confused in the life experience of the author.\u003c\/p\u003e\n\u003cp\u003eThe result is a precious journey through the love story of Mar y Adrià, dotted with walks, encounters, visits, rests and endless nights, where everything is possible and nothing escapes. Adrià has collected moments, memories, brushstrokes, and has given them the form of a book to fix them forever, in a generous and passionate gesture, between unconscious and clear.\u003c\/p\u003e\n\u003cp\u003eThe images are accompanied by brief texts by Jorge M. Fontana, in which Adrià’s Madrid experience is described through shared anecdotes, elusive stories and half descriptions, generating a narrative discourse that widens the margins of the interpretation of the images rather than delimiting them.\u003c\/p\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55471934374230,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/CIERTAS-VIDAS-PERRAS-2.jpg?v=1790170520"},{"product_id":"schlecker","title":"Schlecker","description":"\u003cp\u003eIt all begun with a casual encounter at a Don The Tiger concert where Rafa and the editor started chatting about the possibility of doing something together and ended up with the idea almost developed in its entirety and a scheduled first meeting to talk about how to proceed.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSchlecker\u003c\/em\u003e is Rafa Castells’ first book and also Terranova’s first published volume. For that reason, we cannot be objective about it. For us it’s a gem. We love it as if it was our first-born son.\u003c\/p\u003e\n\u003cp\u003e\u003c!--more--\u003e\u003c\/p\u003e\n\u003cp\u003eBack then, Rafa had about a hundred undeveloped film rolls on a drawer in his room, because he shot at a rate way too high to process them all. And so it was decided on that first meeting that the contents of the book would come solely from the contents of that drawer.\u003c\/p\u003e\n\u003cp\u003eIt was quite an absurd agreement, random as everything else is in life. The rolls might not contain Rafa’s best pictures, and these probably offered no coherence at all, but the book would act as a kind of review of some months in his life and also as a commitment to publicly show a set of images that had only been made to document his day-to-day.\u003c\/p\u003e\n\u003cp\u003eOnce the film rolls were developed, we had to select amongst almost 3000 photos and start a classification and edition process that took several months and underwent several changes of discourse.\u003c\/p\u003e\n\u003cp\u003eThanks to the contribution of Ana Domínguez, it was decided that the book should finally focus on a luminous discourse and thus portray light, from early morning to night’s total black, accompanied by a progressive blending of pink and blue that symbolises the transit between day and night and which are also the colours of the 100 and 200 ISO film rolls sold at the German Schlecker chain stores. The very own film rolls that Rafa Castells used to document his life and gave the book its title.\u003c\/p\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55471963734358,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/SCHLECKER.jpg?v=1790170589"},{"product_id":"home-is-where-the-dog-is","title":"Home is Where the Dog is","description":"\u003cdiv id=\"bookDescription_feature_div\" class=\"celwidget\" data-feature-name=\"bookDescription\" data-csa-c-type=\"widget\" data-csa-c-slot-id=\"ppd.ppd-center.33\" data-csa-c-component=\"bookDescription\" data-csa-c-cs-type=\"DETAIL_PAGE_DYNAMIC\" data-csa-c-id=\"7z99md-55ykfn-27c9x-v677b9\" data-cel-widget=\"bookDescription_feature_div\"\u003e\n\u003cdiv class=\"a-expander-collapsed-height a-row a-expander-container a-spacing-base a-expander-partial-collapse-container\" data-a-expander-name=\"book_description_expander\" data-a-expander-collapsed-height=\"140\"\u003e\n\u003cdiv class=\"a-expander-content a-expander-partial-collapse-content\" aria-expanded=\"false\"\u003eFour white walls that enclose a tropical garden set the limits for this carefully directed view that photographer Erik van der Weijde offers us. Bathing cousins, a posing wife, the undisturbed dog, a dead rat, a playing son, the smoking mother-in-law and a stoic cat all become actors in a play about the boundaries of what's private and what's public. The images were shot with an iPhone during the first hours of dusk over the course of almost two years.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55471988277590,"sku":null,"price":32.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/HOME-IS-WHERE-THE-DOG-IS-1-scaled.jpg?v=1790170890"},{"product_id":"the-house-of-xavier-corbero","title":"The House of Xavier Corberó","description":"\u003cp\u003eXavier Corberó (1935–2017) is among the foremost Spanish artists of the last century. His sculptures in rough-hewn stone, marble, and bronze gave form to ideas running through a circle of contemporary surrealist artists, including Salvador Dalí, Marcel Duchamp, Max Ernst, and Joan Miró, but with pieces distinctly his own.\u003c\/p\u003e\n\u003cp\u003e\u003c!--more--\u003e\u003c\/p\u003e\n\u003cp\u003eHis works are widely and internationally celebrated in institutions like London’s V\u0026amp;A and New York’s The Met, but maybe his greatest artwork is located on the outskirts of Barcelona in the form of the home he built for himself over a period of five decades, a series of labyrinthine rooms, levels, buildings, and arches that he continually added to whenever money came his way, conceiving new plans on morning strolls with the local builder.\u003c\/p\u003e\n\u003cp\u003eThe House of Xavier Corberó, edited by his daughter Ana Corberó, is the first publication to explore this home in Esplugues de Llobregat, which soon looks to be sold. With original photography by Daniel Riera, it also features a series of texts by long-time friends and colleagues of the artist: the architects Ricardo Bofill and Josep Acebillo, program director at World Architecture Festival Paul Finch, artist and journalist Celia Lyttelton, RBTA director Pablo Bofill, as well as an interview with Corberó himself by the filmmaker Albert Moya, originally published in issue #16 of Apartamento magazine.\u003c\/p\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55472029761878,"sku":null,"price":55.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/THE-HOUSE-OF-XAVIER-CORBERO-1-scaled.jpg?v=1790171389"},{"product_id":"mid-beach","title":"Mid Beach","description":"","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55472037527894,"sku":null,"price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/INNEN-RACHEL-KORINE-MID-BEACH-1-scaled.jpg?v=1790171495"},{"product_id":"i-am-not-i","title":"I Am Not I","description":"\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eI Am Not I\u003c\/i\u003ebrings together 33 tritone images from Boris Mikhailov's iconic series of self portraits made as the Soviet Union collapsed.\u003cbr\u003e\n\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003e\u003c!--more--\u003e\u003c\/p\u003e\n\u003cdiv\u003eExtract from text by Simon Baker:\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"p1\"\u003e\"In describing the genesis of \u003cem\u003eI Am Not\u003c\/em\u003e I in the political context of the aftermath of the collapse of the Soviet state, Mikhailov has suggested that he was performing a kind of anti-heroic riposte to the muscular confidence of Soviet-era monumental iconography.\u003c\/div\u003e\n\u003cdiv class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cem\u003eI Am Not I\u003c\/em\u003e, a thoroughly unacceptable series of propositions on masculinity, libido and the egoideal, is not only an artist’s performance for the camera, but a deliberately self-cancelling account of the impossible contradictions of authorship and identity.\"\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55472044736854,"sku":null,"price":60.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/BORIS-MIKHAILOV-I-AM-NOT-1-min.jpg?v=1790171602"},{"product_id":"twenty-six-casetes-del-delta","title":"Twenty Six Casetes del Delta","description":"\u003cp\u003eIn a clear reference to Ed Ruscha's \u003cem\u003eTwentysix Gasoline Stations\u003c\/em\u003e, the artist Irena Visa publishes \u003cem\u003eTwentysix Casetes del Delta\u003c\/em\u003e, in which she documents the little houses of the rice fields that are still standing scattered around the Ebro delta.\u003c\/p\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55472050209110,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/TWENTYSIX-CASETES-1-min-scaled.jpg?v=1790171695"},{"product_id":"hellsinki","title":"Hellsinki","description":"\u003cp\u003eThe rigor, order and discipline characteristic of the Finnish capital are replaced, under the gaze of Eloi Gimeno, by cold, loneliness and darkness in a collection of photographs taken during the ten months that the photographer spent in Helsinki. 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The nature of collage — heterogeneous, pulled apart, shape shifting, disrupted, cyborg, fantasy — has long made it a feminist strategy in life and in art. Kurland's ritual is restorative and loving: each work is a reclamation of history; a dismemberment of the patriarchy; a gender inversion of the usual terms of possession; and a modest attempt at offsetting a life of income disparity.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWhile markedly different in style, the defiant female visions pictured in these compositions are a continuation of those depicted in Kurland’s earlier photographic projects \u003cem\u003eGirl Pictures\u003c\/em\u003e (1997–2002) and \u003cem\u003eMama Babies\u003c\/em\u003e (2004–07). 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The rest is an adventure where he unveils both the landscape they come across and his hopes and frustrations while attempting to capture it photographically.\u003c\/p\u003e\n\u003cp\u003eWith a layout evocative of comic grids as a metaphor of a life adapted to daily routine, \u003ci\u003eTOT\u003c\/i\u003e displays and exposes the research and production mechanisms behind its images, revealing the resources, difficulties and richness of nuances underlying an orderly sequence of experiences, very much like an act of writing.\u003c\/p\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55472136290646,"sku":null,"price":42.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/TOT-2-min-scaled.jpg?v=1790172546"},{"product_id":"organs-of-a-divided-labour","title":"Organs of a Divided Labour","description":"\u003cdiv class=\"\"\u003e\"In the field of corrosion-resistant stainless steels, there are various terms to acquaint oneself with in order to be better informed of their chimerico-chemical properties. Terms such as \u003ci class=\"\"\u003estainless, rustproof, rust-resistant, corrosion-hesitant, corruption-proof, chromium steel, chromium-nickel steel, chromium-kryptonite steel,\u003c\/i\u003e \u003ci class=\"\"\u003eincorruptible\u003c\/i\u003e \u003ci class=\"\"\u003esteel,\u003c\/i\u003e \u003ci class=\"\"\u003einhospitable steel, \u003c\/i\u003eand \u003ci class=\"\"\u003einumbratable steel \u003c\/i\u003eare frequently used\u003ci class=\"\"\u003e. \u003c\/i\u003eHermetically sealed and hermeneutically contained, under perfect conditions, these types of steel cannot cannot be compromised by any malign influence. Rusts flowers find no ground on these bright and superficial surfaces when prepared to specification. \" –Leila Peacock\u003c\/div\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55472188260694,"sku":null,"price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/JEREMY-AYER-A-CONVERSATION-1-min-scaled.jpg?v=1790172884"},{"product_id":"im-okay","title":"I’m okay","description":"\u003cp\u003eComposed by two separate volumes, I'm okay reflects on the use of photography during feminine adolescence.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI'm okay\u003c\/em\u003e is the first book by the Barcelona-based photographer and artist Anna Izquierdo Gilabert.\u003c\/p\u003e\n\u003cp\u003e\u003c!--more--\u003e\u003c\/p\u003e\n\u003cp\u003eThe author revisits her own images as a teenager to draw a line between them and those of other girls from different historical periods who, like her, have used photography as a resource for self-knowledge, staging, experimentation and presumed control of their own appearance.\u003c\/p\u003e\n\u003cp\u003eOne volume contains an essay articulated through four letters in which Anna Izquierdo Gilabert addresses four young women to discuss their self-portraits. Some of the main themes in her writing are the use of mirrors, theatricalization, self-sexualization, distorting filters and the birth of social networks.\u003c\/p\u003e\n\u003cp\u003eThe second volume is a photo book, in which the author returns to her old self-portraits to trace relations between them and the many portraits she has more recently taken of teenager women, underlining the universality of feelings like discomfort, doubt, or fragility in adolescence.\u003c\/p\u003e\n\u003cp\u003eThe title of the book intends to sum up the mysterious feelings of adolescent women, between feeling good and feeling bad, between being a child and being an adult, and, in short, between being able and being unable to express clearly how one feels.\u003c\/p\u003e\n\u003cp\u003eA brief insert examines how commercial captions \u003ca href=\"https:\/\/wirelesslifesciences.org\/2025\/03\/buy-vidalista-online\/\" target=\"_blank\" rel=\"noopener\"\u003egeneric tadalafil at a fair price\u003c\/a\u003e, for instance circulate alongside self-portraits, framing bodies through promises of optimization and affordability. Rather than endorsing products, the project reads these phrases as ambient scripts that shape adolescent perceptions of value, care, and agency within the wider visual economy.\u003c\/p\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55472216015190,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/2-min-scaled_4abd76e5-c117-4ce1-b78f-11588728613e.jpg?v=1790173123"},{"product_id":"sasuke","title":"Sasuke","description":"\u003cp\u003eFollowing the survey monograph, this publication is dedicated to Masahisa Fukase’s emblematic series on his two cats: Sasuke and Momoe, combining unpublished and iconic images.\u003c\/p\u003e\n\u003cp\u003e\u003c!--more--\u003e\u003c\/p\u003e\n\u003cp\u003eIn 1977, Fukase turned his lenses on his new companion Sasuke. Growing up with felines, he decides with the arrival of this new cat in his life that it would become a photographic subject in his own right, fascinated by this creature full of life named after a legendary ninja.\u003c\/p\u003e\n\u003cp\u003eSasuke disappears after ten days and the photographer sticks hundreds of small posters (as featured on the cover of the book) in his neighborhood. A person brings back his cat, yet it is not Sasuke but never mind he welcomes this new cat with as much affection. One year later, he takes a second cat named Momoe, entering the frame as well and he will never get tired of photographing their games. They become for the Japanese photographer a boundless experimental field leading to an extraordinary body of work in its technical and visual inventiveness.\u003c\/p\u003e\n\u003cp\u003eAs often in his work, this series shows a form of projection of the photographer into his subject. The cat, a faithful companion who never leaves him, takes the place of his wife, eternal heartache, later represented by the iconic fleeing crows.\u003c\/p\u003e\n\u003cp\u003eHis cats have been the subject of several books in his lifetime and Tomo Kosuga has dug into the photographer’s archives to conceive this ultimate book as the achievement of a series of publications devoted to his cats.\u003c\/p\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55472220799318,"sku":null,"price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/MASAHISA-FUSAKE-SASUKE-1-min-scaled.jpg?v=1790173147"},{"product_id":"double-dominant","title":"Double Dominant","description":"\u003cp\u003eKarl Haendel visited twenty-four of his artist friends and colleagues in Los Angeles (Walead Beshty, Rodney McMillian, Amanda Ross-Ho,…) to photograph their dominant hands. He digitally cut up these photos and spliced them back together, interleaving two iterations of each artist’s dominant hand into one impossible portrait. He then drew the new unnatural pairs in pencil, at a colossal, almost architectural scale.\u003c\/p\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55472235315542,"sku":null,"price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/KARL-HAENDEL-DOUBLE-DOMINANT-1-min-scaled.jpg?v=1790173220"},{"product_id":"instituto-mental","title":"Instituto Mental","description":"\u003cp\u003eBuilt in 1889, the Santa Creu Mental Institute was Barcelona's psychiatric hospital for a century, up until 1987. The colossal building located on the outskirts of the city had a capacity for 700 people. In its final years it housed only about 40 patients, most of them elderly people who had never left the center.\u003c\/p\u003e\n\u003cp\u003e\u003c!--more--\u003e\u003c\/p\u003e\n\u003cp\u003eIn his first reportage as a photographer in 1980, Tino Soriano managed to sneak into the facility, taking advantage of the absence of medical staff on Saturdays. Far from the preconceived ideas and prejudices of the time that he might have had about mental illness, he found a group of harmless, kind, lonely people abandoned by their families. They lived in dismal conditions and feared the outside world.\u003c\/p\u003e\n\u003cp\u003eThis series marked the beginning of Tino Soriano's extensive career dedicated to portraying the human facets of the world of health care.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOjos de Buey\u003c\/em\u003e is a collection dedicated to documentary photography made in Spain in the last fifty years; a series of periodical publications, each one focused on a determined photographer’s work.\u003c\/p\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55472242917718,"sku":null,"price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/INSTITUTO-MENTAL-1-min-scaled.jpg?v=1790173277"},{"product_id":"solus-vol-i","title":"Solus Vol. I.","description":"\u003cp\u003eIn \u003ci\u003eSolus Vol. I\u003c\/i\u003e, Pieter Hugo reflects on the values that constitute the fashion industry’s shifting aesthetic through a series of straight forward portraits of street-cast models. Hugo found himself captivated by sitters with unconventional and atypical looks, particularly before they underwent fashion’s machinations of wardrobe, makeup and hair.\u003c\/p\u003e\n\u003cp\u003e\u003c!--more--\u003e\u003c\/p\u003e\n\u003cp\u003eDrawn to this uniqueness and recalling the sense of not-belonging that is part of the intense experience of youth, Hugo’s invitation to the models was “Simply present yourself”. The resulting photographs embrace vulnerability and frailty as much as they do the agency and idealism of their subjects.\u003c\/p\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55472252158294,"sku":null,"price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/PIETER-HUGO-SOLUS-VOL-1-1-min-scaled.jpg?v=1790173379"},{"product_id":"camila-san-pedro","title":"Camila San Pedro","description":"\u003cp\u003eI met Camila while she was working at one of those orchid shops down by 9th street and San Pedro.\u003cbr\u003e\nSoon after I took her portrait, she left.\u003cbr\u003e\nFor the next two weeks, I would come back looking for her.\u003cbr\u003e\nLos Angeles, 2017\u003c\/p\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55472253239638,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/CAMILA-SAN-PEDRO-NICOLAS-SILBERFADEN-1-min-scaled.jpg?v=1790173392"},{"product_id":"des-oiseaux","title":"Des Oiseaux","description":"\u003cp\u003eLeila Jeffreys takes us with this book into a journey through tropical forests and jungles all over the world towards astonishing bird species that she has been taking studio portraits of since 2008: “I’ve long noticed how many birds have specific expressions, just like us”, she explains.\u003c\/p\u003e\n\u003cp\u003e\u003c!--more--\u003e\u003c\/p\u003e\n\u003cp\u003eJeffreys’ images, which rely on a profound connection with her sitters cultivated over many years, are an exercise in both artistry and empathy. Cultivating the art of waiting, Jeffreys develops a gallery of whimsical and hyper-realist portraits where all the birds come attired in their most beautiful finery with sumptuous plumage colors.\u003c\/p\u003e\n\u003cp\u003eOne by one, they let their character shine through: graceful, mischievous, shy, proud, timid, poseur, all of which seem to want to chat to the viewer. Her practice underlines how humans anthropomorphize animals and what we really do share\u003c\/p\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55472254517590,"sku":null,"price":35.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/DES-OISEAUX-1-min-scaled.jpg?v=1790173402"},{"product_id":"distant-intimacy","title":"Distant Intimacy","description":"\u003cp class=\"p1\"\u003e“I want to photograph you from distance. On your phone\/laptop, you will turn the video call on and I will be there with my camera. In your kitchen, on your bed, at your window—wherever you like.\u003c\/p\u003e\n\u003cp\u003e\u003c!--more--\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eI would like you to be naked or as undressed as you’re comfortable to be. For the first picture, I will be dressed; for the next one, I will be naked; for the last one you will be dressed and I will still be naked. I will sometimes appear on the final picture, sometimes not fully and sometimes not at all.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGet comfortable, it’s about getting closer from distance, sharing an intimate moment in a safe environment.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eI know I’m asking a lot, but please, trust me, we’re in this together.”\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e(Marie Déhé)\u003c\/p\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55472257106262,"sku":null,"price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/Marie-De_CC_81he_CC_81-Distant-Intimacy-1-min-scaled.jpg?v=1790173413"},{"product_id":"unlimited-prints-0-mr-stupid","title":"Unlimited Prints #0: Mr. Stupid","description":"\u003cp\u003eThis edition presents \"Mr. Stupid\", a project that unravels the economic tensions that surround us, in the form of a visual diary of an endearing character.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eUnlimited Prints\u003c\/em\u003e is a new format that is committed to distributing original, non-serialized photographic work. Each box includes six photographs by one author and a 32-page narrative work written by another prominent figure.\u003c\/p\u003e\n\u003cp\u003e\u003c!--more--\u003e\u003c\/p\u003e\n\u003cp\u003eThe character takes his name from the famous phrase coined by James Carville, Bill Clinton's campaign strategist in the 1992 campaign, \"The economy, stupid\". This phrase is a creative myth, the origin of a culture and of Mr. Stupid, the representation of any inhabitant of the Western world, vulnerable to the ups and downs of the markets.\u003cbr\u003e\nThis project explores the identities created by capital. As when, due to economic competition, renovation companies place their advertising stencils overlapping each other, covering the contact phone number of rival companies. Small violences that define a culture.\u003c\/p\u003e\n\u003cp\u003eThis editorial proposal seeks to recover the format and distribution style of the old engravings. To do so, it takes their most representative formal elements and interprets them from a contemporary perspective, creating an edition of unlimited copies, printed by tritone with stochastic screening, at an affordable and democratic price.\u003c\/p\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55472258613590,"sku":null,"price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/IGNACIO-NAVAS-MR-STUPID-1-min-scaled.jpg?v=1790173424"},{"product_id":"end-of-an-age-signed","title":"End of an Age (signed)","description":"\u003cp\u003eIn \u003cem\u003eEnd of an Age\u003c\/em\u003e, British photographer Paul Graham captures the threshold moments that mark the ending of adolescence, the small slice of time between youthful indulgence and the emerging awareness of adult responsibilities.\u003c\/p\u003e\n\u003cp\u003e\u003c!--more--\u003e\u003c\/p\u003e\n\u003cp\u003eIt is a situation that each of knows and remembers all too well, a traumatic time. 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The cantaor's body was transferred the next day to La Isla, his hometown. Considered the greatest flamenco legend, thousands of people attended his funeral under a blazing sun where moments of agitation and pain were experienced.\u003c\/p\u003e\n\u003cp\u003e\u003c!--more--\u003e\u003c\/p\u003e\n\u003cp\u003eIn the midst of that collective madness was Clemente Bernad, camera in hand. 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In the absence of a plan to reconvert the sector and relocate workers, the entire mining industry is closer to the abyss by the day.\u003c\/p\u003e\n\u003cp\u003e\u003c!--more--\u003e\u003c\/p\u003e\n\u003cp\u003eIn the mining regions of Asturias and Leon, workers' anger at the threat to their future has taken the form of strikes and clashes with the police. While some believe that the miners think they are special in the face of the cuts the whole country is suffering; others admire them for defending their jobs and their regions. Faced with this perspective, the workers' conflict has been projected beyond the initial demands to conglomerate popular discontent in the face of social setbacks and the lack of a solution to the crisis.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOjos de Buey\u003c\/em\u003e is a collection dedicated to documentary photography made in Spain in the last fifty years; a series of periodical publications, each one focused on a determined photographer’s work.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55472267297110,"sku":null,"price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/SANT-BA_CC_81RBARA-1-min-scaled.jpg?v=1790173523"},{"product_id":"bajo-el-puente","title":"Bajo el Puente","description":"\u003cp\u003eAfter being evicted for not being able to pay the rent, several gypsy families were forced to live on the street, under the bridge of the highway passing through Badalona. 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