{"title":"theory","description":null,"products":[{"product_id":"xcentric-cinema","title":"Xcèntric Cinema","description":"\u003cp\u003e\u003cem\u003eXcèntric Cinema. Conversations on the creative process and the filmic vision\u003c\/em\u003e, edited by Gonzalo de Lucas, takes us into the workshop of the filmmaker, that personal space in which film creators think about their working methods and aesthetic ideas.\u003c\/p\u003e\n\u003cp\u003e\u003c!--more--\u003e\u003c\/p\u003e\n\u003cp\u003eA constellation of images, experiences, notes and inspirational ideas from some great filmmakers that serve as a notebook of creative projects and which help to expand our imaginative field. Dialogues about ways of seeing, thinking and discovering the possibilities of the camera, editing, light and colour; possible ways of filming portraits, human figures and landscapes; ways of exploring the links between cinema, poetry and painting; conversations about film stock itself and the conceptual or manual processes that take place before we manage to refine an idea or a form. Each one of the 15 filmmakers in this book — all of whom are considered essential to the history of the programming of Xcèntric, the cinema of the CCCB, and to artistic and poetic cinema — take as their point of departure a series of images, from the filmmakers’ own works or those of other artists, with the aim of discussing them and sharing the specific ways in which they achieve their filmic vision; or rather, that which you can only see thanks to cinema.\u003c\/p\u003e\n\u003cp\u003eFilmmakers: Peter Kubelka, Jonas Mekas, Michael Snow, Arthur and Corinne Cantrill, Carolee Schneemann, Nathaniel Dorsky, Robert Beavers, Gunvor Nelson, Rose Lowder, James Herbert, Peter Tscherkassky, Jan Švankmajer, Laida Lertxundi, Jean-Claude Rousseau, R. Bruce Elder\u003c\/p\u003e\n\u003cp\u003eInterviewers: Albert Alcoz, Francisco Algarín Navarro, Celeste Araújo, Manuel Asín, Pip Chodorov, Esperanza Collado, Alfonso Crespo, Miguel Fernández Labayen, Andrés Hispano, Carolina López, Boris Monneau, Oriol Sánchez, John Sundholm, Helena Vilalta, Gloria Vilches\u003c\/p\u003e","brand":"Terranova","offers":[{"title":"English","offer_id":55471811395926,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/XCENTRIC.jpg?v=1790170230"},{"product_id":"wabi-sabi-para-artistas-disenadores-poetas-y-filosofos","title":"Wabi-Sabi para Artistas, Diseñadores, Poetas y Filósofos","description":"\u003cp\u003eWabi-sabi is the most notable and characteristic feature of what we consider traditional Japanese beauty. It can become a way of life, and, at the very least, it is a particular kind of beauty. It is the beauty of imperfect, changeable and incomplete things. It is the beauty of modest and humble things. It is the beauty of unconventional things. Wabi-sabi is also the first stone in the construction of our editorial catalog, which like all things wabi-sabi is modest and unpretentious, but not lacking in presence or discreet authority.\u003c\/p\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55471979069782,"sku":null,"price":13.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/WABI-SABI-1-1-scaled.jpg?v=1790170771"},{"product_id":"seth-siegelaub-better-read-than-dead","title":"Seth Siegelaub: Better Read Than Dead","description":"\u003cp\u003e\"Better Read Than Dead” was the title that the great American art dealer, curator, author and researcher Seth Siegelaub (1941-2013) had chosen for an anthology of his own writings—one of the projects for which he never found the time, busy as he was running his global one-man operation. Here, happily, that project is now fulfilled.\u003c\/p\u003e\n\u003cp\u003e\u003c!--more--\u003e\u003c\/p\u003e\n\u003cp\u003eThe selected writings, interviews, extended bibliography and chronology gathered in this Siegelaub sourcebook fill the historical gaps in the sprawling network of exhibitions, publications, projects, and collections that constitute Siegelaub’s life’s work.\u003c\/p\u003e\n\u003cp\u003eHere, Siegelaub’s writings are reproduced as scans in order to convey the variety of the documents and to give a sense of archival immersion. Interspersed with these “writings” are interviews and talks, several newly transcribed. 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The result was a conversation that devolved—technologically and ideologically—into a quasi-tragicomic farce, punctuated by remarkable moments of rupture initiated by activist resistance to the Conference from the outside and dissenting voices from within.\u003c\/from\u003e\u003c\/p\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55472128426326,"sku":null,"price":17.95,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/THE-HALIFAX-CONFERENCE-1-min-scaled.jpg?v=1790172480"},{"product_id":"why-i-make-documentaries","title":"Why I Make Documentaries","description":"\u003cdiv class=\"product-detail-description-text\"\u003eSoda Kazuhiro has based his documentary filmmaking career on a radically independent method. This publication is a reflexive diary on his own work in pursuit of answers to many crucial questions which have arisen along his extensive research path. It is the first curated English version of Kazuhiro’s most enlightening and complete writings, enriched with a new iconographic apparatus derived from his films and an updated introduction by the author himself. Discover why seeking answers to such basic things as “What is a documentary?” and “Why do I make documentaries?” turns out to be essential practice for one of the most prominent Japanese filmmakers today.\u003c\/div\u003e\n\u003cdiv class=\"row product-detail-custom-fields-container\"\u003e\n\u003cdiv class=\"col-md-10 col-lg-6\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55472582689110,"sku":null,"price":21.5,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/why-I-make-docus-min-scaled.jpg?v=1790175711"},{"product_id":"lepreuve-de-la-couleur","title":"L'épreuve de la couleur","description":"\u003cdiv class=\"product-detail-description-text\"\u003e\n\u003cdiv class=\"product__descrip\"\u003e\n\u003cdiv class=\"product__descrip__copy copy\"\u003e\n\u003cdiv class=\"product__descrip\"\u003e\n\u003cdiv class=\"product__descrip__copy copy\"\u003e\n\u003cdiv class=\"purchase-info\"\u003e\n\u003cdiv class=\"purchase-inner\"\u003e\n\u003cdiv class=\"purchase-inner-wrap\"\u003e\n\u003cform id=\"product-form-template--23328621560143__main\" class=\"form\" accept-charset=\"UTF-8\" action=\"https:\/\/publicknowledgebooks.com\/cart\/add\" enctype=\"multipart\/form-data\" method=\"post\" novalidate=\"novalidate\" data-type=\"add-to-cart-form\"\u003e\n\u003cdiv class=\"product-form__buttons\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"purchase-info\"\u003e\n\u003cdiv class=\"purchase-inner\"\u003e\n\u003cdiv class=\"purchase-inner-wrap\"\u003e\n\u003cdiv class=\"purchase-prod-deets\"\u003e\n\u003cdiv id=\"Quantity-Form-template--23555460792655__main\" class=\"product-form__input product-form__quantity\"\u003e\n\u003cdiv class=\"price-per-item__container\"\u003e\n\u003cdiv class=\"purchase-info\"\u003e\n\u003cdiv class=\"purchase-inner\"\u003e\n\u003cdiv class=\"purchase-inner-wrap\"\u003e\n\u003cdiv class=\"purchase-prod-deets\"\u003e\n\u003cdiv id=\"Quantity-Form-template--23555460792655__main\" class=\"product-form__input product-form__quantity\"\u003e\n\u003cdiv class=\"price-per-item__container\"\u003e\n\u003cdiv class=\"purchase-info\"\u003e\n\u003cdiv class=\"purchase-inner\"\u003e\n\u003cdiv class=\"purchase-inner-wrap\"\u003e\n\u003cdiv class=\"purchase-prod-deets\"\u003e\n\u003cdiv id=\"Quantity-Form-template--23555460792655__main\" class=\"product-form__input product-form__quantity\"\u003e\n\u003cdiv class=\"price-per-item__container\"\u003e\n\u003cdiv class=\"textLayer\"\u003e\n\u003cp\u003eJacques Henri Lartigue's \u003cem\u003eThe proof of color\u003c\/em\u003e sheds light on a little-known aspect of the iconic photographer's work: his fascination with the stereoscopic Autochrome - one of the first color photographic processes just introduced. From 1912 to 1927, and then more than a decade later, in 1946, Lartigue produced 300 autochromes, 90 of which are still intact today, presented here for the first time in their entirety and in their original format. This process was a formidable tool for exploration, and renewed his relationship with the medium, in contrast to his work on speed. More attentive to the composition of the image and the development of a broad chromatic palette, the photographer takes on the posture of a painter rather than an instantaneous artist.\u003c\/p\u003e\n\u003cp\u003eThe visual corpus is introduced by an essay written by Marion Perceval entitled \u003cem\u003eThe Absolute Impression of Reality\u003c\/em\u003e followed by the text \u003cem\u003eLartigue's \"Tango\" Sweater\u003c\/em\u003e of curator and photography historian Kevin Moore, which help to grasp the importance of the corpus and its impact on the history of color photography, as well as the resonance it continues to have. 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Composting as a way of cultivating consciousness through questions instead of answers, and from uncertainty and doubt. Hydro-memories, a talking lion, sounds that live in a snail shell, a dry swamp, a herbal medicine witch girl, ephemeral queer performances, chemical-sensing tentacles, stone eaters, scriptures-fossil, heavy cheese-like lids, dolphins in traffic, blue humanities, and digital forensic public spaces are some of the matters fermenting in this Compost Reader.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/form\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55473303224662,"sku":null,"price":18.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/CompostReader2-scaled.jpg?v=1790181496"},{"product_id":"rietveld-schroder-house","title":"Rietveld Schröder House","description":"\u003cdiv class=\"product-detail-description-text\"\u003e\n\u003cdiv class=\"product__descrip\"\u003e\n\u003cdiv class=\"product__descrip__copy copy\"\u003e\n\u003cdiv class=\"product__descrip\"\u003e\n\u003cdiv class=\"product__descrip__copy copy\"\u003e\n\u003cdiv class=\"purchase-info\"\u003e\n\u003cdiv class=\"purchase-inner\"\u003e\n\u003cdiv class=\"purchase-inner-wrap\"\u003e\n\u003cform id=\"product-form-template--23328621560143__main\" class=\"form\" accept-charset=\"UTF-8\" action=\"https:\/\/publicknowledgebooks.com\/cart\/add\" enctype=\"multipart\/form-data\" method=\"post\" novalidate=\"novalidate\" data-type=\"add-to-cart-form\"\u003e\n\u003cdiv class=\"product-form__buttons\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"purchase-info\"\u003e\n\u003cdiv class=\"purchase-inner\"\u003e\n\u003cdiv class=\"purchase-inner-wrap\"\u003e\n\u003cdiv class=\"purchase-prod-deets\"\u003e\n\u003cdiv id=\"Quantity-Form-template--23555460792655__main\" class=\"product-form__input product-form__quantity\"\u003e\n\u003cdiv class=\"price-per-item__container\"\u003e\n\u003cdiv class=\"purchase-info\"\u003e\n\u003cdiv class=\"purchase-inner\"\u003e\n\u003cdiv class=\"purchase-inner-wrap\"\u003e\n\u003cdiv class=\"purchase-prod-deets\"\u003e\n\u003cdiv id=\"Quantity-Form-template--23555460792655__main\" class=\"product-form__input product-form__quantity\"\u003e\n\u003cdiv class=\"price-per-item__container\"\u003e\n\u003cdiv class=\"purchase-info\"\u003e\n\u003cdiv class=\"purchase-inner\"\u003e\n\u003cdiv class=\"purchase-inner-wrap\"\u003e\n\u003cdiv class=\"purchase-prod-deets\"\u003e\n\u003cdiv id=\"Quantity-Form-template--23555460792655__main\" class=\"product-form__input product-form__quantity\"\u003e\n\u003cdiv class=\"price-per-item__container\"\u003e\n\u003cdiv class=\"textLayer\"\u003e\n\u003cp\u003e\u003cstrong\u003eThe official book marking \u003c\/strong\u003e\u003cstrong\u003ethe centenary of the Rietveld \u003c\/strong\u003e\u003cstrong\u003eSchröder House tells the story \u003c\/strong\u003e\u003cstrong\u003eof two lovers and radical \u003c\/strong\u003e\u003cstrong\u003einnovators in modern \u003c\/strong\u003e\u003cstrong\u003earchitecture: Truus Schröder \u003c\/strong\u003e\u003cstrong\u003eand Gerrit Rietveld\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cbr\u003e\n\"The idea of living in the house like this essentially came from me.\"\u003cbr\u003e\n\u003c\/em\u003e— Truus Schröder\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRietveld Schröder House: A Biography of the House\u003c\/em\u003e tells the story of the iconic house and its creators, Truus Schröder (1889–1985) and Gerrit Rietveld (1888–1964). The construction of the house, the designs by ‘Schröder \u0026amp; Rietveld Architects’, the war years, the renovations and the many family parties: this richly illustrated publication builds up a picture of the colourful life of the idiosyncratic Rietveld Schröder House.\u003c\/p\u003e\n\u003cp\u003eIn addition to many previously unpublished photographs, drawings, designs and letters, the book provides in-depth insight into Rietveld and Schröder’s collaboration and their shared ambition to radically change traditional (interior) architecture. The research by authors Natalie Dubois and Jessica van Geel also convincingly shows that Truus Schröder’s role was far greater than previously assumed. As a gifted designer, Schröder was much more than Gerrit Rietveld's ‘muse’. Her creative vision proved crucial to their joint projects.\u003c\/p\u003e\n\u003cp\u003eWith its bespoke design by Irma Boom, this publication is a tribute to the world-famous house built in 1924 that continues to inspire today. \u003cem\u003eRietveld Schröder House: A Biography of the House\u003c\/em\u003e is an accessible and essential reference work for lovers of modern architecture, art history \u003cem\u003eand\u003c\/em\u003e revolutionary daring.\u003c\/p\u003e\n\u003cp\u003eThis publication coincides with the centenary of the Rietveld Schröder House, and is issued in collaboration with Centraal Museum Utrecht.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/form\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55473304731990,"sku":null,"price":80.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/Rieytveld-scaled.jpg?v=1790181519"},{"product_id":"sobrevivir-al-diseno","title":"Sobrevivir al diseño. Contexto, memoria y tiempo","description":"\u003cdiv class=\"col-md-4 col-sm-7 col-xs-12 lh24\"\u003e\n\u003cdiv class=\"textContent mt10px\"\u003e\n\u003cp\u003e\u003cstrong\u003eEl trabajo de diseñador en tiempos acelerados y cambiantes: una reivindicación práctica y nada solemne de los oficios creativos.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e¿En qué consiste el trabajo del diseñador en la época del advenimiento de la IA y del acceso generalizado a herramientas cada vez más sofisticadas para tratar textos e imágenes? Una de nuestras creadoras más internacionales reflexiona, con ejemplos de una gran plasticidad e ideas siempre iluminadoras, sobre las claves de su disciplina. \u003cem\u003eSobrevivir al diseño\u003c\/em\u003e está escrito con espíritu lúdico, pero también con la voluntad de mostrar por qué el diseño es aún fundamental para la vida en comunidad. Un libro que reivindica la vertiente artesanal de los oficios creativos, asociada a un tiempo lento cada vez más escaso.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eMarta Cerdà\u003c\/strong\u003e (Barcelona, 1980) es diseñadora gráfica y trabaja en proyectos que van de la dirección de arte a la ilustración y la tipografía. Es miembro de AGI (Alliance Graphique Internationale) y ha sido premiada, entre otros, por el Art Directors Club, el Type Directors Club y la revista \u003cem\u003eGràffica\u003c\/em\u003e. En 2022 reunió sus proyectos más destacados en el libro \u003cem\u003eType to Image\u003c\/em\u003e.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003ePróxima aparición: 30\/04\/25\u003c\/p\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55473332289878,"sku":null,"price":12.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/SobrevivirAlDiseno-scaled.jpg?v=1790181840"},{"product_id":"impact-type","title":"Impact Type","description":"\u003cp\u003eThree Swiss companies manufactured type for typewriters between the 1940s and 1990s: Caractères SA, Setag and Novatype. For over fifty years, they supplied leading office machine manufacturers in Europe and around the world, including Remington, IBM, Olivetti, Paillard-Hermes and Triumph-Adler. These three companies, which held a major position on the world market, were instrumental in the creation, development and manufacture of type components and typefaces for typewriters, and indeed for impact printers in general. This volume, with its detailed portraits of the three companies, explores the history behind these typefaces and the historical context in which they were produced. When all three factories closed in the 1990s, most of their archives were destroyed. As a result, this research quickly turned into a very detailed investigation aiming to document this period of history by means of primary sources. This book brings together the fruits of several years of research in numerous locations to reveal previously unpublished image material and cast a spotlight on a little-known chapter in industrial and typographic history, both locally and internationally.\u003c\/p\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55473337827670,"sku":null,"price":32.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/ImpactType-scaled.jpg?v=1790181917"},{"product_id":"archigram-the-magazine","title":"Archigram: The Magazine","description":"\u003ch2 class=\"redstrong\"\u003eArchitecture's most influential, innovative and beloved underground magazine, reissued for the first time in a handsome clamshell box.\u003c\/h2\u003e\n\u003cp\u003eInspired by comic-book culture, Pop art, psychedelia, the space race, sci-fi, Constructivism and Buckminster Fuller, the hugely influential British collective Archigram was the epitome of 1960s avant-garde architecture. Their self-published, lo-fi but materially ingenious magazine \u003ci\u003eArchigram\u003c\/i\u003e, begun in 1961, announced their ideas for such visionary concepts as \"Walking City,\" \"Plug-In City\" and \"Instant City.\" It also served to connect the international avant-garde of the 1960s. Archigram forged links with the Metabolists in Japan, Frei Otto, Utopie and Haus-Rucker-Co in Europe, and Buckminster Fuller in the US. They were also championed by critics such as Charles Jencks and Reyner Banham, who brought \u003ci\u003eArchigram\u003c\/i\u003e's famous fourth pop-up issue to the US in 1966.\u003c\/p\u003e\n\u003cp\u003eToday \u003ci\u003eArchigram\u003c\/i\u003e is one of the rarest major small-press publications of the 1960s, with individual issues selling for a minimum of $600.Archigram's influence has proved enduring, perhaps most famously in its widely acknowledged impact on Richard Rogers' and Renzo Piano's Centre Pompidou. Its members also taught and influenced the likes of Bernard Tschumi and Zaha Hadid, and inspired a later generation of nineties and noughties modernists embracing the potential of technology such as Future Systems, Foreign Office Architects, Diller Scofidio + Renfro, Anthony Dunne and Fiona Raby.\u003c\/p\u003e\n\u003cp\u003eThis authorized publication features exact facsimiles of all 10 issues (from number 1 in 1961 to the final issue 9½ in 1974). All the original surprises and idiosyncrasies are faithfully reproduced: flyers, pockets, a pop-up centerfold, posters, gatefolds and an electronic resistor. (Only the seeds in the seed packet attached to issue 9 are not included, as seeds cannot be shipped across borders.) Accompanying the facsimile issues is a fully illustrated reader's guide featuring essays by Peter Cook, David Grahame Shane and Reyner Banham; tributes from the architectural community including Tadao Ando, Kenneth Frampton, Norman Foster, Zamp Kelp, David Rockwell and Patrik Schumacher; an index of key concepts and contents; a scrapbook of previously unseen archival images; a bibliography of the partners' publications; and biographies.\u003c\/p\u003e\n\u003cp\u003eThe architect-collaborative group \u003cb\u003eArchigram\u003c\/b\u003e was established in London by Warren Chalk, Peter Cook, Dennis Crompton, Ron Herron, David Greene and Michael Webb. Working together until 1975, the group operated as an experimental think tank, producing a magazine, projects, models, exhibitions and proposals that represented a shift in how architectural practice is considered, prioritizing processes and responsive structures for living over the notion of architecture as a static, form-based commodity. Influenced by popular culture and responding to the proliferation of technological advances at the time, as well as recognizing the increasing social and political discontent, Archigram's production emphasized mobility and flexibility in ways that continue to have currency today.\u003c\/p\u003e\n\u003cp\u003eContributors include: Tadao Ando, Shigeru Ban, Aric Chen, Beatriz Colomina, Mike Davies, Odile Decq, Neil Denari, Norman Foster, Kenneth Frampton, Nicholas Grimshaw, Ivan Harbour, Tom Heneghan, Steven Holl, Bjarke Ingels, Toyo Ito, Zamp Kelp, Reed Kroloff, Toshiko Mori, Laurids Ortner and Manfred Ortner, Juhani Pallasmaa, Mónica Ponce de León, David Rockwell, Moshe Safdie, Annabelle Selldorf, Patrik Schumacher, Alan Stanton, Bernard Tschumi.\u003c\/p\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55473431707990,"sku":null,"price":212.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/ArchigramSmall-scaled.jpg?v=1790183294"},{"product_id":"clin-doeil","title":"Clin d'œil","description":"\u003cdiv class=\"purchase-info\"\u003e\n\u003cdiv class=\"purchase-inner\"\u003e\n\u003cdiv class=\"purchase-inner-wrap\"\u003e\n\u003cdiv class=\"purchase-prod-deets\"\u003e\n\u003cdiv id=\"Quantity-Form-template--23654722666831__main\" class=\"product-form__input product-form__quantity\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"description-block\"\u003e\n\u003cdiv id=\"shopify-block-Aa3dweDRNVnJVQ2p0d__sc_back_in_stock_app_block_LxJM6b-1\" class=\"shopify-block shopify-app-block\"\u003eAn unexpected collection of over 100 images spanning time and the history of representation, \u003cem\u003eClin d’œil\u003c\/em\u003e brings together nearly every variation of that precious organ that allows us to see, to look, to discover — or simply to observe.\u003c\/div\u003e\n\u003cdiv class=\"product__description rte quick-add-hidden\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eFollowing \u003cem\u003eJeux de mains\u003c\/em\u003e, the first collaboration between Cécile Poimboeuf-Koizumi — publisher, curator and co-founder of Chose Commune — and Stephen Ellcock —  curator, writer, researcher, and online collector of images — this second volume focuses on the motif of the eye in art. Present across all cultures and eras, the eye fascinates with its rich symbolism: spiritual, political, intimate, or mysterious. From Antiquity to contemporary art, over a hundred images, selected intuitively and without chronological order, form this visual constellation. This book celebrates the diversity of artistic perspectives on this small organ that has, over time, become a powerful universal symbol.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55473435050326,"sku":null,"price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/clin-doleil-min-scaled.jpg?v=1790183420"},{"product_id":"love-and-lightning-a-collection-of-queer-feminist-manifestos","title":"Love and Lightning: A Collection of Queer-Feminist Manifestos","description":"\u003cdiv class=\"product-detail-description-text\"\u003eCompiled by Girls Like Us Magazine and Sarah van Binsbergen, this collection spans over a century of queer and feminist manifestos from 1913 to the present. Divided into eleven chapters with socio-historical context, the volume presents diverse forms of manifesto writing across geographical borders, from classic activist texts to poetic compositions. Contributors include Sojourner Truth, Valentine de Saint-Point, Mierle Laderman-Ukeles, and Paul B. Preciado, among others. The 11-chapter anthology draws from all corners of the world, especially Asia, Africa, and Latin America, examining how manifestos transcend conventional boundaries to emancipate readers to envision their own revolutionary possibilities.\u003c\/div\u003e\n\u003cdiv class=\"row product-detail-custom-fields-container\"\u003e\n\u003cdiv class=\"col-md-10 col-lg-6\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55473490985302,"sku":null,"price":29.9,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/love-and-lighting-min-scaled.jpg?v=1790183593"},{"product_id":"usylessly-edition-two","title":"Usylessly (Edition Two)","description":"\u003cdiv class=\"product__description rte quick-add-hidden\"\u003e\n\u003cp\u003e\u003cem\u003eUsylessly\u003c\/em\u003e, edition two, a work by John Morgan, is the result of a close observation of the blue cover and form of the first edition of James Joyce’s \u003cem\u003eUlysses\u003c\/em\u003e. The aim of this second edition is to make the essays available again. Unlike \u003ca class=\"underline\" href=\"https:\/\/tenthousandangelspress.com\/press\/usylessly-edition-one\/\" rel=\"noopener\"\u003eedition one\u003c\/a\u003e, edition two does not recreate the form of James Joyce’s 1922 Shakespeare \u0026amp; Co. edition.\u003c\/p\u003e\n\u003cp\u003eThe book contains two essays written 27 years apart by Edward L. Bishop and an additional visual essay by John Morgan. The first essay, ‘Re-Covering Ulysses’, was initially published in Joyce Studies Annual in 1994 and explores the ‘non-literary’ aspects of the book, charting, as Bishop explains, ‘the movement of Ulysses the book – the physical object with its various jackets, blurbs, ads and price tags – from modernist work to social document, to status object, to cultural artefact to, finally, what seems to be a kind of futures commodity in the freewheeling post-copyright market’.\u003c\/p\u003e\n\u003cp\u003eThe second essay, ‘Ulysses Blue’, published in \u003cem\u003eUsylessly\u003c\/em\u003e, edition one, for the first time, starts its journey in the archive of the Harry Ransom Center in Austin, Texas with over 40 copies of the 1922 edition and follows Morgan and Bishop on the quest for the blue cover.\u003c\/p\u003e\n\u003cp\u003eThe visual essay, ‘Kind of Blue’ by John Morgan, gathers together a number of images related to \u003cem\u003eUlysses\u003c\/em\u003e and to the colour blue.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55473610785110,"sku":null,"price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/Usylessly-scaled.jpg?v=1790184476"},{"product_id":"usylessly-edition-two-copy","title":"On the Edges of Graphic Design from A—Z","description":"\u003cdiv class=\"product__description rte quick-add-hidden\"\u003e\n\u003cp\u003e\u003cem\u003eOn the Edges of Graphic Design from A—Z—∞\u003c\/em\u003e celebrates the past, present, and future of alternative Graphic Design through the hands and minds of a multidisciplinary and international design community, their practices, and community-building experiences at A—Z Presents, the Berlin space for experimental Graphic Design.\u003c\/p\u003e\n\u003cp\u003eAssuming the form of an ‘Index for alternative Graphic Design’, the book offers a comprehensive view of the wide range of activities performed by a multitude of graphic designers and visual artists with diverse backgrounds, ages, and career standings over the past six years. It also looks ahead by exploring how a group of international designers envision the future of the discipline of Graphic Design.\u003c\/p\u003e\n\u003cp\u003eThe first part, A—Z, features all the projects, workshops, exhibitions, talks, and a wide range of activities and events initiated by A—Z, in alphabetical, cross-referenced entries. It includes contributions from designers such as Na Kim, Niklaus Troxler, and The Rodina, to name just a few, as well as a myriad of related topics, from “Asemic Writing” and “Rebellion Riso Posters Collab” to “Yellow Bench”, and over 100 other entries.\u003c\/p\u003e\n\u003cp\u003eThe second part, titled \u003cem\u003e—∞\u003c\/em\u003e, features 36 international designers, including April Greiman, Richard Niessen, and Loraine Furter, who were invited to envision the future of Graphic Design and how it could be enacted in a transdisciplinary space like A—Z. These contributions range from reflections on the body in digital space and AI, to interspecies relationships, and language viewed through different scripts, among many others.\u003c\/p\u003e\n\u003cp\u003eThe richly illustrated publication is designed and conceptualized by A—Z founder and curator Anja Lutz, who sees the book as a “meta-level for the continuous exploration of alternative thinking and practicing graphic design.” The book features an introduction by designer Jason Grant and a conversation between publisher Freek Lomme and Anja Lutz.\u003c\/p\u003e\n\u003cp\u003eFeatured graphic designers and artists in the A—Z section:\u003c\/p\u003e\n\u003cp\u003eAlbert Coers, Alex Jordan, Andrea Tinnes, Andreas Koch, Anita Di Bianco, Claudia de la Torre, Florian Dombois, Inkahoots, Johannes Bergerhausen \u0026amp; Ilka Helmig, L.I.P. Collective, Lucienne Roberts, Mark van Wageningen, Mindy Seu, Mirtha Dermisache, MMS, Na Kim, Niklaus Troxler, Patrick Thomas, Rebellion Riso Posters Collab, Sarah Boris, Teaching Design, The Rodina, Tine Melzer \u0026amp; Markus Kummer, and many more designers who participated in collective projects and exhibitions.\u003c\/p\u003e\n\u003cp\u003eFeatured graphic designers and artists in the—∞ section:\u003c\/p\u003e\n\u003cp\u003eAggie Toppins, April Greiman, Chris Campe, Christopher Sleboda \u0026amp; Kathleen Sleboda, Elliott Earls, Flávia Nalon \u0026amp; Fábio Prata, Golnar Kat-Rahmani, James Langdon, John Walters, Jordan Rita Seruya Awori, Joseph Foo, Julia Kahl, Katharina Nejdl, Kiyonori Muroga, Lena Weber, Loraine Furter, Luna Maurer, Madita Flohe, Martí Guixé, Mushon, Prem Krishnamurthy, Rebeca Méndez, Richard Niessen, Sandra Doeller, Sandy Kaltenborn, Sara Kaaman, Silvia Sfligiotti, Silvio Lorusso, Siwar Kraitem, Tobias Röttger \u0026amp; Susanne Stahl, and Ulrike Brückner \u0026amp; Bianca Herlo\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55473612292438,"sku":null,"price":32.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/OnTheEdges-scaled.jpg?v=1790184492"},{"product_id":"baskervilles-teardrop-explodes","title":"Baskerville’s Teardrop Explodes","description":"\u003cdiv class=\"product__description rte quick-add-hidden\"\u003e\n\u003cp\u003eCompleted shortly before John Morgan died in September 2025, \u003cem\u003eBaskerville’s Teardrop Explodes: A Selection of Books as Muses\u003c\/em\u003e presents his selection of 31 books as Muses. Chosen primarily for their visual appearance and associative value, they are books that have touched him and his work as a book designer in some way or another. Collected together as a Library of Muses, they express all the contradictions and compound sensibilities found in John’s work.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003eThe criteria for selection are numerous and variable. Some were chosen for the title alone, or for the colour or materiality of the book, for the feel, the weight, the lightness, the rightness, the wrongness, the modesty, the excess, the charm, the humour, the attitude or bite of a book, the memory it conjures. Each Muse has its own magic and energy. Some bring reverberations of romance, others of fear, anxiety, humour or tragedy. Some are heroic. Some fail in technique or just miss the mark; they are imperfect. 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In a time of climate breakdown and ecological grief, this book offers birds not as metaphors or curiosities, but as kin-creatures with their own histories, desires, and forms of knowing.\u003c\/p\u003e\n\u003cp\u003eSpanning speculative fiction, ancestral memory, critical ornithology, personal essay, and visual art, its contributions explore the fragile, often overlooked relationships between humans and birds across myth, science, migration, and dream. Through listening and attention, the book explores how birds shape landscapes, signal planetary change, and offer new ways of understanding time, voice, and relation.\u003c\/p\u003e\n\u003cp\u003eContributors draw on decolonial, feminist, and ecological practices to unsettle dominant narratives and invite forms of care, reciprocity, and repair. From the mimicry of the lyrebird to the silence of vanished species, from winter dreaming to co-domestication and spectral presence, each chapter gestures toward multispecies futures grounded in presence and poetic attention. This reader, both a continuation of an exhibition and a gathering of distinct voices, becomes a spell — woven from memory, sound, and image — that reimagines kinship in flight.\u003c\/p\u003e\n\u003cp\u003eWith contributions by John Berger, Ignace Cami, Monika Czyzyk, Bryony Dunne, Daniel Godínez Nivón, Daisy Hildyard, Manjot Kaur, Natalie Lawrence, Marianne Elisabeth Lien, Michelle J. Moyer, Evangeline M. Rose, Bernard Lohr, Karan J. Odom, Kevin E. 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It features a reassembled art residency, furniture made from salvaged materials (and new bolts), drywall marquetry, a punk farm, the earliest cave construction, a lavatory covered in goose feathers, cars buried under asphalt, fake nails, gabion walls, hairy stuff, mud, a recipe for concrete rubble walls and slabs, a sandbag façade, theory fed to worms, a leaking fountain, theoretical fatbergs and the yes of the no.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eWith Jérémie Dussault-Lefebvre and Sébastien Roy, Arnaud Eubelen, Matthew Stadler, Emma Cocker, Homo neanderthalensis via Sophie Verheyden and Jacques Jaubert, Hélène Frichot, Maxence Grangeot, Baukunst, TEN and Babini Geysen with Tiphaine Abenia and Olivier Campagne, Jeremy Till and Sarah Wigglesworth, Truwant + Rodet +, Willie Morlon\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55473624351062,"sku":null,"price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/Accatone9-scaled.jpg?v=1790184614"},{"product_id":"technically-man-dwells-upon-this-earth","title":"Technically Man Dwells upon this Earth","description":"\u003cdiv class=\"product__description rte remove-empty-space\"\u003e\n\u003cp\u003e“This text leaves us with a clearing of the conceptual ground for thinking of the Intellect as unbounded production (as you are about to see unfold). This setting is able to provide a meaning to acceleration as the relinquishment of identity to itself. All that can be automated, must be, for it already is; real acceleration derives from the potentiality to realize that which one already eels is at work in the now, the \u003ci\u003ewirklich\u003c\/i\u003e working its way to the real. The tedious bone-crushing wheels of history will never stop turning, not until they have turned the world itself into a purposeless engine, at which point there will be no calculation left to execute anyway. The logic of extinction here reveals itself as the condition for anarchic creation to operate, as its unilateral counterpart. Instead of giving ourselves to erotics or, Gods forbid, aesthetics as a replacement for thought, there remains only the immanent necessity of understanding Thinking as a thinking of the Beautiful.” \u003cb\u003e— Louise Morelle, Foreword\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003c!--more--\u003e\u003c\/p\u003e\n\u003cp\u003eThe book where it all began. There would be no Becoming Press without Technically Man Dwells, a book authored by someone who even to today has captured the hearts of a lot of the people who follow Becoming’s activities; a deep appreciation for the intelligence of this author is something that the group shares in common. This book is excellent; a very elegant prose that gives an incredibly sophisticated deconstruction and response, to, Artificial Intelligence, and the question of A.I art. The time of \u003ci\u003eArt\u003c\/i\u003e has come; \u003ci\u003ebecause\u003c\/i\u003e the time of the \u003ci\u003eArtist\u003c\/i\u003e is over!\u003c\/p\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55473769120086,"sku":null,"price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/Technically_TN-scaled.png?v=1790185542"},{"product_id":"where-does-a-body-begin","title":"Where Does a Body Begin?","description":"\u003cdiv class=\"product__description rte remove-empty-space\"\u003e\n\u003cp\u003e\u003cspan class=\"editorial-header\"\u003eIn this book, we don’t \u003ci\u003edo\u003c\/i\u003e biology, or fund it, or research it, or practice it; in this book, we \u003ci\u003eare\u003c\/i\u003e biology.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIn anticipation of MYB's upcoming second book with Becoming Press, we have reverted the design of this book back to its original, first edition cover, and the typography inside the book has been updated to our 2025 style. Entering its 3rd edition, this book has been re-edited, with a new foreword which reframes the book in accordance with the author's reflections over the 2 years this book has been out.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003c!--more--\u003e\u003c\/p\u003e\n\u003cp\u003eWhile presented as a contiguous work, the book is formed of different essays that have been dissected, recomposed with artificial connective tissue. The result lies somewhere between the rhizomatic continuity of a Body-without-Organs, and the disjointed assemblage of roadkill; either way, the question of where to even begin remains the same.\u003c\/p\u003e\n\u003cp\u003eThese essays each grow out of a particular resentment that developed through years of experience as a working-student of biology, but the task of the book was to transform this into something productive, something that sticks granular propositions into Biology like acupuncture needles. Inherent sexism within Biological research is, after all, not entirely disconnected to Pharmaceutical giants flooding the streets with opiates—and it is simply a writer’s hope that some well positioned words can remind enough people of how its all connected.\u003c\/p\u003e\n\u003cp\u003eIn what could be perceived as a philosophical turn, the importance of talking about science, as much as doing it, is re-entering the popular scientific consciousness, and it is high time, too. What was already getting bad under Biden, became catastrophic under Trump, and the infiltration into public research by private institutions and capitalist enterprises, which this book highlights, is proving dire. The capitalisation of all things bio, whether -yoghurt, -metric data or -logical institutions, is necrotic—MeltdownYourBooks didn’t flinch, they just grabbed the scalpel, dowsed the flesh in ethanol, and asked the question we all forget needs answering: where first, Doc?\u003c\/p\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55473770103126,"sku":null,"price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/Where_TN-scaled.png?v=1790185554"},{"product_id":"in-the-delirium-of-the-simulation-baudrillard-revisited","title":"In the Delirium of the Simulation: Baudrillard Revisited","description":"\u003cdiv class=\"product__description rte remove-empty-space\"\u003e\n\u003cp\u003e\u003cspan class=\"editorial-header\"\u003eFrom Finance to non-philosophy and radical experimental music, Szepanski is an anomalous and masterful theoretician with one hell of a history.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis is a monumental and extensive work from someone who is arguably the most well-versed scholar of Baudrillard, Deleuze \u0026amp; Laruelle in the German-speaking world, Achim Szepanski, the original founder of Mille Plateaux, Force Inc Music Works and NON. This book is dedicated to Jean Baudrillard, who would be described by Achim as the most radical and advanced stimmung in Philosophy. Through this comprehensive and devouring analysis of Baudrillard’s work, the author presents a gripping account of their own philosophy; alongside his magnum opus Die Ekstasie der Spekulation, this book, In the Delirium of the Simulation, provides the strongest case for what might be called, in light of his passing, Szepanskism or Szepanskian Economics.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003c!--more--\u003e\u003c\/p\u003e\n\u003cp\u003eAs time passed since the loss of our friend, Achim Szepanski, we found ourselves revisiting this book, and we invested time in refining some parts of certain texts, and looking at the translations again. We decided to include three other texts which elaborate in various directions, and we organized a new afterword by Alessandro Sbordoni, which asks what a Szepanskism might be. 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In a way, that’s what Dada does.”\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003e— Lucas Ferraço Nassif\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eWhere do you begin with a book like this; a book containing dialogues on a micro contemporary avant-garde video art movement on social media called “CoreCore”? It is, as “\u003ci\u003e0nty\u003c\/i\u003e”, the lead editor said, more of a toll booth; this book ensures no possiblity for the artists to be cut out of the loop when the academics arrive en scene.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eThis book follows on from the proceedings of \"All Things are Nothing to Us\", a symposium on CoreCore and the Contemporary Online Avant-Garde, held on December 2nd. 2023, at the School of Visual Arts, NYC; organized by \u003ci\u003e0nty\u003c\/i\u003e and \u003ci\u003eOnMyComputer\u003c\/i\u003e (Dylan Smith). The book contains a mass of visual art from upward of 140 contributors. Monumental book.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003c!--more--\u003e\u003c\/p\u003e\n\u003cp\u003eCoreCore is the term that is associated with a particular practice of film-making (read arranging moving-images) that has emerged through social media apps like TikTok. Taking its name from the -corification of aesthetics in the Tumblr-era (fairycore, cottagecore), CoreCore usually involves, as Louis Morelle writes in the book, images concatenated against each other. Lucas Ferraço Nassif theorized that, like the Japanese concept of Ma, something jumps out from the gaps in-between images: \"CoreCore is two words, but its the same word, and there is a mirror-stage between the two cores: who is going to confirm what the core is?\".\u003c\/p\u003e\n\u003cp\u003eThis book brings together artists and theorists who were either part of the movement, or fans of the movement, close to it, and so on, to create an anthology which explores the movement on its own terms, and ensures that no academic can ever discuss CoreCore without citing this book, and thus ensuring the underground their place in the discussion.\u003c\/p\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55473775870294,"sku":null,"price":31.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/Dialogues_TN-scaled.png?v=1790185581"},{"product_id":"what-is-post-branding","title":"What is Post-branding?","description":"\u003cdiv class=\"product__description rte remove-empty-space\"\u003e\n\u003cdiv class=\"purchase-info\"\u003e\n\u003cdiv class=\"purchase-inner\"\u003e\n\u003cdiv class=\"purchase-inner-wrap\"\u003e\n\u003cdiv class=\"purchase-prod-deets\"\u003e\n\u003cdiv id=\"Quantity-Form-template--23654722666831__main\" class=\"product-form__input product-form__quantity\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"description-block\"\u003e\n\u003cdiv class=\"product__description rte quick-add-hidden\"\u003e\n\u003cp\u003ePost-Branding empowers better design of public communication for civic and activist groups by replacing corporate branding’s predatory principles with a new set of strategies embedded in a new culture of craft. A new way of being and knowing, for a new way of relating with the world.\u003c\/p\u003e\n\u003cp\u003eBrands aren’t just intruding on culture, they are our culture. They are the sponsored mechanisms for constructing and manipulating meaning and human identity. But should we cede such a fundamental human need to the market? If not, why not, and is there an alternative?\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWhat is Post Branding?\u003c\/em\u003e is a work of ‘practical theory’. It is a compact ‘pocket-book’ format publication composed of four main sections. The first, ‘DIS-BRANDED’, is a text of 20 short page-long chapters exposing the ideological underbelly and real-world impact of branding. The second, ‘MIXED MESSAGES’, is a provocative visual essay illuminating the texts’ main themes. The third, ‘MANUAL’, presents a framework for a critical alternative to corporate branding, humorously appropriating found instructional diagrams as a brand manual satire. This section also includes examples of completed contemporary projects that have implemented post-branding principles. The book concludes with ‘CONTEXT’, featuring a conversation with cultural theorist Brian Holmes and an argument with design historian Steven Heller.\u003c\/p\u003e\n\u003cp\u003ePart design experiment, part critical theory, and part how-to-manual, \u003cem\u003eWhat is Post-Branding?\u003c\/em\u003e introduces a creative counter to branding’s neoliberal orthodoxy.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Terranova","offers":[{"title":"Default Title","offer_id":55473779638614,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1042\/8622\/4726\/files\/PostBranding-scaled.jpg?v=1790185630"}],"url":"https:\/\/terrranova.com\/collections\/theory.oembed","provider":"Terranova","version":"1.0","type":"link"}