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In the summer of 1949, Susan Weil introduced her partner Robert Rauschenberg to the process of exposing blueprint paper at her family home in Connecticut. What began as a playful experiment rooted in Weil’s childhood memories soon transformed into a striking series of large-scale works. Together they laid sheets of light-sensitive paper in the sun, arranging objects and human figures to capture fleeting silhouettes and delicate traces of presence preserved in deep blue.